【作者】 王建玉；

【导师】 彭德；

【作者基本信息】 西安美术学院 ， 美术学， 2010， 硕士

【摘要】 本文旨在论述终南山对唐代以后中国山水画的影响,由直接的对应关系转换为间接的人文情怀,具有专题研究和综合研究的特点。论文涉及三个问题,分述如下。其一,终南情怀的式微:唐代以后,宋、辽、金政权对峙和版图摆动的前沿地带即在秦岭山脉的南北。终南山的军事地位上升,文化地位下降,逐渐失去了其在山水画创作中的地缘与文化中心地位。其二,终南情怀的孑遗:唐、宋代以后,终南山对山水画的影响还在持续,可分为具体与抽象二种形态。前者是指与终南山直接相关的山水画创作;后者是指与王维、范宽的画风相关的山水画创作。其三,终南情怀的复归:明朝人王履、清朝人戴本孝游历终南山,并图写华山的事迹,体现了终南山水原型和山水画渊源对山水画创作的影响。王维《江山雪霁图》、《辋川图》等画作在历代的备受珍重,以及其流传、摹写、勒、拓,所蕴含了终南山隐居的诗意与功利的双重情结。终南山孕育的山水画艺术和艺术思想,影响从未间断。终南山对中国山水画的影响,既是一种有原型意义的现实影响,又是一种内化为山水隐逸文化情怀的潜在影响。更多还原

【Abstract】 The main point of this article discussed the effects which the Zhongnanshan after the Tang dynasty in Chinese landscape painting. Writing of this article with a special study of the characteristics, but also has a comprehensive research features. The author of this article in order to constitute the three topics of research papers started, they are described below.First, the decline of Zhongnan feelings: After the Tang Dynasty,Qinling Mountains is the Song, Liao, Jin’s borders, but also they are the front line of confrontation. Zhongnanshan military advancement, and cultural status of down, and gradually lost its creation in the geopolitical landscape and cultural center.Second, Zhongnan feelings relic:After the Tang–Song Dynasty Zhongnanshan impact on the landscape is still ongoing, and can be divided into two kinds of concrete and abstract patterns. The former refers Zhongnanshan directly related to landscape creation; the latter refers Wang Wei, Fan Kuan’s style related to Landscape Painting.Third, Zhongnan feelings of reversion: The early Ming’s Wang Lv and early Qing’s Dai Benxiao had been to traveled Huashan and write it in their works. Zhongnanshan as the source, the value of the evolution of landscape painting of a certain expression. WangWei, "Jiang Shan Snow ", "Wangchuan " and other paintings in the ancient treasure highly, and its Spread, copying, printing, the embraces Zhongnanshan the seclusion of his poetry and utilitarian double complex.Zhongnanshan breeds of landscape art and artistic ideas, influence has never stopped. Zhongnanshan the impact of Chinese landscape painting is a kind of a prototype of significant practical impact, but also a recluse within the landscape into the potential impact of Chinese culture.更多还原