【作者】 赵嫣嫣；

【导师】 聂欣如；

【作者基本信息】 华东师范大学 ， 广播电视艺术学， 2008， 硕士

【摘要】 本文以24年来中国大陆生产并播放的系列动画片为研究对象,借助已有的受众调查数据、结合动画理论、影视理论、传播学理论、相关艺术学与哲学理论,对此类目前在中国产量最大、观众人数最多,影响也最大的动画片进行了较为完整的理论描述。本文梳理了中国系列动画片的发展历程,总结了中国系列动画片的特点,并分别以改编类、原创类和教育类系列动画为切入点具体讨论了中国系列动画的创作问题。在以上这些研究的细部,对中国系列动画片出现的各类问题进行了细致的分析和较为深入的探讨。最后,从艺术方面和制作方面提出了中国系列动画片存在的六大主要问题,指出了这些问题的成因、表现并探讨了解决途径。虽然中国系列动画片在产业环境上也面临着资金、经营、人才等各方面的压力,但是本文认为其最需要突破的瓶颈仍是艺术上的“老”问题。中国动画系列片需突破传统动画艺术观念,除需克服“说教”、“低幼”、“动画僵硬”等明显外部缺点外,在深层次上需对系列动画的受众定位问题、文化问题、改编问题、想象力问题、原创问题、叙事问题以及在制作过程中存在的各种矛盾等有全新的认识并做到有效的改进。更多还原

【Abstract】 This paper chooses the subject of the cartoon series that has been produced and played in China for the recent 24 years. By the assistance of the already existed data from surveys and combining the theory of cartoon, the theory of movies, the theory of transmission, and the theories of related art and philosophy, this paper gives a general analysis about the kind of cartoon which own the biggest output, the largest number of audience, and also the deepest influence in the whole country. This paper sorts the developed process of Chinese cartoon series, generalizes the features of homemade cartoon series, and discusses the issue of creation with great detail, based on the categories of adaptation, original, and education. Furthermore, this paper gives a through analysis and an extensive discussion towards the variety of problems existed in Chinese cartoon series. Finally, it raises the major six problems existed in Chinese cartoon series from the aspects of art and creation. Additionally, it gives an explanation for the occurrence of such problems, and provides solutions respectively. Regarding the environment of industry, although Chinese cartoon series faces all kinds of pressures including fund, management, human resources, etc, this paper still holds the opinion that the biggest challenge for Chinese cartoon is still the "old" problem in terms of art. Chinese cartoon series needs to break the traditional theory of the art of cartoon. Besides getting rid of some obvious outside weaknesses like "lecturing", "infantilism", and "stiff cartoon", etc, Chinese cartoon should adopt a brand new cognition and make effective improvement in regard to the problems of localization, culture, adaptation, imagination, original, and narration, as well as all kinds of contradictions existed in the process of creation.更多还原