【作者】 周琰；

【导师】 鲁枢元；

【作者基本信息】 苏州大学 ， 美学， 2008， 硕士

【副题名】略论中国原始岩画的生态美学内涵

【摘要】 史前岩画作为原始造型艺术的典型代表,是原始社会生产与生活的艺术再现,它以图画的形式,用无声的语言记录着原始初民的思想与情感。在原始思维及原始宗教观念的作用下,初民作为自然之子、自然的一部分,与自然是一种原生性的、水乳交融的关系,他们并没有把自然作为独立的客体和异己的力量,而是把自然当作生存的家园、生命的归宿。本文以岩画的起源、造型特征和艺术风格作为研究基础,从自然生态、社会生态、精神生态诸层面及其对现代艺术的影响方面分析了原始岩画所蕴涵的丰富的生态美学思想。研究的目的在于,重新探讨和审视人类童年时期的精神内涵,反思人类与自然关系的历史变迁,并期望可以从中找到能够医治现代社会各种精神病症的良方,由此寻觅一条拯救人类精神的返乡之路。更多还原

【Abstract】 As one of the typical representatives of primitive arts, the pre-historical petroglyph can be seen as the artistic reproduction of the human production and life in primitive society. By using the form of pictures, these petroglyph record soundlessly the thoughts and feelings of human beings in their primitive age. With the combination of primitive thoughts and religious beliefs, our ancestors held the idea that they are part of and in complete harmony with the nature. Thus, they didn’t consider the nature as an independent object or an alien force. Rather, the nature is their homeland and living place.On the basis of study on the origin, shaping feature and artistic style of the petroglyph, this article analyzes the ideas of ecological aesthetics contained in primitive petroglyph from four aspects, including the natural ecology, the social ecology, the spiritual ecology and the influence on modern arts. The aim of the research is to re-discuss and explore human being’s spiritual connotation in primitive age and to reflect the historical evolution of the relation between human being and the nature. It is expected that through the study we can finally find an effective prescription to the social and mental problems in present era, which leads us to the returning road of salvation of human spirit.更多还原