【作者】 郭鑫；

【导师】 张福贵；

【作者基本信息】 吉林大学 ， 中国现当代文学， 2008， 硕士

【副题名】从王海鸰作品看其反婚姻意识

【摘要】 小说、电视剧,频繁的家庭纠葛与婚姻背后的剖析,让我们记住了这样一位敏感而坚韧的女性——王海鸰,她的婚恋题材作品在社会上掀起了一重重收视热浪,引发了与其相关话题的争论、思考与研究。女作家王海鸰凭借自己一颗敏锐的心,用手中的笔记叙了一个又一个普通人的婚姻故事,真实地展示了中国当代的婚姻现状。本论文以王海鸰作品为依据,从社会环境、家庭特征以及女人自身的天性三方面论述女性在社会、婚姻、家庭中的矛盾处境。王海鸰认为婚姻对于女人并不是必需的,它可以是生活方式的一种而不是惟一的选择。她的作品中的婚恋故事负载着作者对现实婚姻清醒认识下所隐含的否定与消解,难免带有个人色彩的偏激。更多还原

【Abstract】 In recent years, in every case the works of Wang Hailing were published, they almost became popular one after another. There were always passionate discuss on the media, the network and the literary world. As the novels and the cinematic productions of Wang Hailing become more and more popular, people give her an appellation called”The first master-hand of Chinese marriage”.Wang Hailing expatiates marriage bewilderment and sequentially bring the social consideration with her compose ways of“calmness and approximately barbarity”, the love stories in her novels embody the denial and negative that are concealed in the clear-headed understand of modern marriage. So they are very hardly to avoid having individual extreme, but they bring forth the marriage actuality of China factually and revert to the essence of the marriage. However, corresponding to the widely known works of Wang Hailing, most people do not understand the authoress herself and her thought. The text is trying to take her works as cut-in points, contact the idiographic social environment, family character and the nature of female, emphasize particularly on the author and her inner world, expect to more people understand Wang Hailing.With the development of our sociality, the traditional social gender mode has changed, more and more women join the society and participate in the social activities, people approve this kind of social progress. But the modern women in her novels, although they can earn their own living and entirely an image of“social new women”, but in their heart they are hard to avoid the restrict of the social gender part and the influence of traditional female model image, they still could not get rid of the so called women image that traditional part endow them. Whether the Su Diandian who wants go home on her own initiative nor the Xia Xiaoxue and Li Xiao who are entangled by the family and the Lin Xiaofeng who go home for the riches and honor of her husband and glory of her. They do not walk out of the localization that is constituted by the history on the way of striving for independence and equality. We can see that if traditional opinion influence the part expect of women in society, we lay particular stress on neither they are virtuous wife or not when evaluate women, well then it will influence the understanding and the judge of their own gender part. It is not enough for women to regard the work as a existent rice bowl, they should work hard in the base of social work in time and living in a creative way instead of living with the lowest income.From the year of 1949, when Chinese women work out to take part in socialist economy construction, they have income and can help themselves on economy, their status in family improve a lot. However, most women are intellective people, even some advanced white collars who have certain level of status in society, but they still could not get rid of the fetter of traditional family mode, the works outside the family are only a“chicken rib”that will make them fatigue and not devote themselves, they form a kind of reliant mentality for the saying of getting old together. The women in her works who believes”men must have career, women must have men who have careers”: Lin Xiaofeng、Xia Xiaoxue、Su Diandian、Li Xiao etc, they give up themselves for their family, the final is that they are betrayed by their husbands. These women are always act the traditional part, through the depiction of their unlucky marriage, Wang Hailing criticize the traditional family marriage mode in her works. Moreover, through the figure of the divorced women, she also breaks the women highbrow idea of marriage, gainsays the necessity and sublime of the marriage and penetrate the anti-marriage consciousness in the cockles of her heart.At all times and in all over the world, when the writers depict love, they pay a tribute to it as a kind of chasteness、heavenliness and eternal sensibility in human lives. But this kind of affectionate fable full of romantic enthusiasm and ideal joviality is criticized by Wang Hailing in her works. The women in her works, whether the school beauty Xia Xiaoxue, classical beauty Su Diandian or Wei Shenshen who’s beauty will make one tumble, they all regard love as their religions, and these women who thirst for love myth in the works of Wang Hailing could not obtain ideal affection, what is more they lose themselves in the marriage and are betrayed by their husbands. Wang Hailing think that love is not eternal, it can transform and disappear, well then the marriage based on love is not unbreakable. and then Wan Hailing let love clear up in the marriage configuration full of common customs and blankness, she negates the immutability and eminence of love, at the same time, she also bear the weight of her denial towards marriage. Her negative attitude towards marriage is influenced by her experience and it is hard to avoid bringing some individual extreme.Marriage is a ponderous and never repeated topic, there is no one textbook could tell you the standard key of the marriage. Women should not devote themselves to the marriage or exclude marriage blindfold because of temporarily happy or unhappy, these are not advisable. Love is a asseveration, marriage is a pronouncement, women should cherish and create with their catholicity and brightness. No matter how hard and how happy they are, they should not give up themselves, to be a really intact woman, only in this way, they can put their lifelong blessedness into reality.更多还原