扬剧曲牌〔梳妆台〕研究

【作者】 郭进怀；

【导师】 吴小平； 伍国栋；

【作者基本信息】 南京艺术学院 ， 中国传统音乐， 2007， 硕士

【摘要】 本论题根据田野调查所获第一手材料，并结合相关主要史料年和文献，对扬剧曲牌[梳妆台]进行了较全面的梳理、分析和研究。全文结构上分为扬剧曲牌[梳妆台]概述，孟姜女[春调]与[梳妆台]，扬剧[梳妆台]体式结构分析，扬剧[梳妆台]腔调形态分析，扬剧[梳妆台]情感表现与乐队伴奏等五个部分，对其历史、与其它音乐类型中同名曲牌的关系、曲牌本体结构特征、曲牌音乐情感表达等内容，进行了较为缜密的分析，并在此基础上，进一步得出[梳妆台]曲牌作为扬剧中最重要的唱腔曲牌之一，具有广泛的实用性，具有灵活多变的形态结构和变异功能，能够表现扬剧剧目中不同角色的喜、怒、哀、乐等多种感情，是该剧种中名副其实的“大锅菜”的结论。更多还原

【Abstract】 On the basis of the first-hand material made by Tianye, combining with relevant historical data and literature, the dissertation analyzes, studies the tune of Yangzhou Opera Shuzhuangtai in the right perspective. The structure of this dissertation is: introduction to tune of Shuzhuangtai, Mengjiangnv chundiao and Shuzhuangtai, Yangzhou Opera Shuzhuangtai style, tune-pattern of Yangzhou Opera Shuzhuangtai, emotion and accompaniment style of Yangzhou Opera Shuzhuangtai. What’s more, having studied the relationship between the same tune in other music style, feature of the tune, emotion expression, the author concludes that Shuzhuangtai is the most practical and flexible tune in aria of Yangzhou Opera, in that it is apt at expressing a variety of feelings such as happiness, anger and grief etc.更多还原