插图之“韵”

【作者】 李啸非；

【导师】 高荣生；

【作者基本信息】 中央美术学院 ， 美术学， 2006， 硕士

【副题名】贯穿诗、文、画的“一律”

【摘要】 插图艺术不仅是视觉的展示，更是文化的浓缩。插图先天即具有与文本不可分的特性；而在我看来，文本(文章)这“不朽之盛事”正是文化的精髓体现。插图与文一体的特性使它既受到限制，又获得文学的滋养；它不能仅满足于绘画层面的精彩，还应追求文化层面的提升。在此理想追求的基础上，“韵”带着必然性出现了。插图创作理论中的诸多论涉，都与其有着微妙间接的联系。插图作品中从具象到意象、从视觉展现到精神境界的拓展与统一过程，就是“韵”的生发与升华过程。更多还原

【Abstract】 Not only is the illustration art the visual exhibition, but also the concentration of culture. Illustrations have a innate trate which is intimate with the text. In my opinion, the text (literature) which is served as the perpetual feat just means the exhibition of culture essenc-e.lt is the fact that illustrations are restrained by the trait-picturesare integrated with the literature, at the same moment however.they obtained the nourishment from the great works. To illustration, the e-xcellence in the field of painting is less important than the cultural promotion. Is, spirit, during which the necessicity existed, emerged fro-m the foundation that is pursued for the ideal. The spirit is an extravagant need without which an illustration at the critical plot of the boo-k can be damaged. There are some subyle relationship between the spirit and some theory of illustration. The process, which from objectivity to abstraction,from the visual exhibition to the spiritual display, is the road to spirit that appears, grows and flowers.更多还原