【作者】 罗俊华；

【导师】 孙东临；

【作者基本信息】 武汉大学 ， 中国古代文学， 2004， 硕士

【摘要】 《吴越春秋》是一部重要的历史文献，其创作最早始于东汉初年的赵晔，而其内容多抄自《春秋》、《左传》、《国语》、《史记》等。本文研究了《吴越春秋》的作者、版本、创作及删削和改编年代、研究概况、史实、文体、人物和叙事艺术、主题等等。 本文除了从文献学、史学的角度研究《吴越春秋》之外，更加侧重于从文学上发掘其价值，所以后几章研究建立在将《吴越春秋》视作小说的基础之上。笔者认为《吴越春秋》是吴越地区的知识分子编写的一部乡土历史小说，其主题是复仇主义；在叙事艺术上，它有统一的叙述角度和叙事重点，“史实”搭台，“异闻”唱戏，传奇色彩浓厚，而且还有主线人物将小故事串联成大故事；在人物艺术上，其群像塑造尤其成功，人物描写也别具特色。更多还原

【Abstract】 Spring and Autumn of Kingdoms of Wu and Yue is an important Chinese historical document. Its creation was said begun by Zhaoye in the early years of the East Han Dynasty. And it’s content is mostly copied from Spring and Autumn, Zuo’s Rendition, Country Language, History Records, etc. In this paper, I have studied it’s authors, versions, time of creations, deletions, rewriting or printing; general research situation; it’s historical facts, style, arts of figure & narration, theme, and so on.In addition to the angles of document and history, this paper stresses more in excavating its value from literature angle especially in the latter chapters, which were mostly on the base of regarding Spring and Autumn of Kingdoms of Wu and Yue as a novel. And the author think this book as a historical country novel that has been written by the intellectuals of this area. Its theme is revenge. On narrative art, it has unified statement angle and narrative focal point. "Historical facts" puts up its frame and "odd lengend" takes the important act. So legend colour is strong. And it still have main line figure stringing the little stories into a big story. On figure art its crowd picture succeed especially, and figure describes also have other different characteristics.更多还原