【作者】 冯阳；

【导师】 马冀；

【作者基本信息】 内蒙古大学 ， 中国古代文学， 2004， 硕士

【摘要】 《红楼梦》对梦、幻、痴、迷等潜意识表象的全方位描写，不仅用在人物塑造上，而且渗透在情节结构之中，从而使它从情节结构到人物形象等诸多方面为之一新，开启了小说创作的新视野。但是，对《红楼梦》在这方面的整体构建，前人不是说梦，便是谈幻，不能把它们上升到一个理论的高度。本文先引入潜意识这个概念，尝试着用它来概括《红楼梦》在这方面的伟大贡献。并且进一步剖析《红楼梦》给我们创造的梦、幻、痴、迷的精神世界，洞悉潜意识描写的深层艺术内涵，继而探索作者潜意识艺术构建的创作本源。文章最后概括了《红楼梦》中潜意识描写的重大意义，并且指出它在中国小说史上的里程碑地位。更多还原

【Abstract】 There is an all-round depiction of subconscious idea in Dream of the Red Chamber, including dream, illusion, dementia, confusion and so on. They had been not only used in characterization, but also permeated into the plot structure of the story. This has made the Dream of the Red Chamber presenting a completely new appearance to the world, and started a new field of vision in the creation of fiction. But the predecessors have talked about either illusion or dream in the field created by Cao Xueqin in the novel, they have not raised them to a theoretical level. This thesis tries to review the great contribution in this field by introducing the conception of the subconscious and further analyses the mental world of dream, illusion, dementia and confusion in the novel. Then the thesis has an insight into the deep artistic connotation of subconscious depiction in the novel and explores Cao Xueqin’s artistic origin of subconscious structure. Finally, the thesis generalizes the significance of subconscious depiction in the novel and points out that it is a milestone in the Chinese fiction history.更多还原