【作者】 钟玲；

【导师】 朱林峰； 邓背阶；

【作者基本信息】 中南林学院 ， 木材科学与技术， 2004， 硕士

【摘要】 在世界经济一体化的趋势和文化多元化的国际形势下，中西文化的交流与碰撞，决定了中西家具文化不可避免的矛盾。本文以系统研究中西方椅子设计的比较，探讨其差异的原因，来启迪国内椅子设计的发展为目标，采用比较、分析的研究方法，从中西方椅子设计的发展历程，及椅子构成的四要素——材料、结构、外观形式、功能等方面的比较、分析，得出中西椅子设计发展历程的守成与变革，用材的单一与多样，外观造型的以线型为主与以体型为主及追求精神境界与物质享受功能的不同，并从生活方式、文化背景、审美观念，还有家具生产技术等处分析研究差异的根源，最终，古为今用，洋为中用，提出当代中国椅子设计的四种方法：材料多元化、结构多样化、造型元素符号化、功能现代化，希望对当代椅子设计既而更广泛的家具设计有所启示。更多还原

【Abstract】 With the communication and collision of Chinese and Western culture, the trend of economic globalization and the international situation of pluralistic world culture have determined the unavoidable contradiction of Chinese and Western furniture culture. In order to study the comparison of Chinese and Western chairs, and to probe into the source of their difference, and then to inspire the development of domestic chairs’ design, this article adopted the approach of analysis and comparison, analysed and compared the Chinese and Western chairs’ history and their material, structure , appearance form, function ,etc, and then concluded such difference as their history’s keeping and innovative, the materials’ unity and variety, appearance form’s relying mainly on line type or on size and the function’s pursuing mental realm or enjoying, then studied the source of their disparity from life style, culture background, aesthetic standards, production technology etc, finally it made the past served the present and made foreign things served china, and put forward four methods of contemporary Chinese chair’s design: materials’ pluralism, structure’s diversification, modelling elements’ symbolization, function modernization, and pointed out the developing direction of the contemporary chair design and more extensive furniture design.更多还原