欧洲中世纪教学圣像画的历史演变及其艺术成就

【作者】 张军；

【导师】 刘孔喜；

【作者基本信息】 首都师范大学 ， 美术学， 2004， 硕士

【摘要】 圣像画是宗教和艺术在历史发展中相互碰撞，进而相互渗透、融合为一体，它不同于古希腊、罗马和文艺复兴时期所追求的再现物质世界的绘画艺术，而成为一种独特的历史文化现象。 圣像画的审美情感是依附于一种强烈的宗教情感，他的主要功能在于对未信教者、异教徒的教化和对于信徒的教育启迪作用。 本论文主要针对拜占庭时期的马赛克圣像画、罗马式时期的圣像壁画、哥特式时期的彩色玻璃圣像画进行论述。 在简单回顾早期的圣像艺术之后，本论文着重阐述了圣像画的主要历史分期以及不同时期的社会文化背景、发展脉络、艺术特色及其演变过程，从中探寻并总结出圣像画的独特宗教意义、象征性的形式方法、杰出的技法工艺等。此外，还采用了横向的比较方法，对三个主要时期进行有效的区分，比较各时期突出的代表了和体现了中世纪生活的不同审美特征，并分析备受冷落的中世纪圣像画的材料技法，论述了圣像画的艺术价值及成就。更多还原

【Abstract】 Icon paintings resulted from collisions between religions and arts, their penetration into each other and integration with each other in the history. They are different from the painting arts in the ancient Greek period, ancient Roma period and Renaissance period that aimed at reproducing the material world. Instead, they are a unique historical and cultural phenomenon.The aesthetic feeling in icon paintings clings to a kind of strong religious feeling, and their primary functions include moralizing non-believers and pagans as well as educating and edifying believers.This paper focuses on discussing mosaic icon paintings in the Byzantine period, icon frescos in the Romanesque period and Stained Glass icon paintings in the Gothic style period.Following brief review of the early icon art, this paper highlights the major historical period of icon paintings as well as their social and cultural background, development trends, artistic features and evolution process in different periods, from which it seeks and summarizes the unique religions meanings, the symbolic forms and methods, and superior skills and techniques of icon paintings. In addition, it differentiates the three major periods using horizontal comparison, as it compares different aesthetic characteristics that prominently represented and embodied the life in the Middle Age. Also, it analyzes the materials and skills for icon paintings in the Middle Age that were snubbed, and discusses the artistic value and achievements of icon paintings.更多还原