【作者】 赵建纲；

【导师】 郭玉祥；

【作者基本信息】 山西大学 ， 美术学， 2004， 硕士

【摘要】 文字从诞生开始便具有了点画这样的视觉元素。不论世界上的文字种类有多少，它们都是由这些视觉元素按照一定的设计手法及构成原理，依据特定的社会共识设计出来的。本文以文字作为视觉元素的特性为出发点，以汉字为主要研究对象，深入研究文字在其产生、发展过程中的设计原理和规律，以及它们的相同和相通之处。通过分析认为：文字视觉元素的秩序化组构应追求文字视觉语言的优化，即一方面对文字固有信息的优化设计，一方面对文字形态语言信息的开发设计，并将两者有机结合和统一在总体设计目标之中。文字视觉元素的秩序化组构设计绝不是单纯的感性艺术表现，包含了深刻的理性设计与思考；文字视觉元素的秩序化组构设计也不是纯艺术的自我表现，文字造形的艺术表现必须服从于视觉传达各个方面的设计需要和规范。更多还原

【Abstract】 Since its natal day, characters possess the visual elements such as dots and strokes. No matter how many varieties of characters exist in the world, the characters are all designed with these visual elements in compliance with certain design skills, constitutional principles and special common understandings in society. This article takes characters, the elements of vision, as its point of departure, makes a careful study of the Chinese characters. It studies the characters’ design principles during their emergence and development. It also studies the common features among them. Through analysis, we get to know the organized formative designs of characters,that is, the visual element should seek the optimization of characters of the visual language. That means on the one hand, optimize the design of the intrinsic information of characters, on the other hand, develop and design the characters’ form and language information, thus unifying both to achieve the master’s design goal. The organized formative design of characters’ visual element is not only the simple expression of perceptual art, but also contains profound rational plan and thought. It isn’t a simple aesthetic self-expression. The art of language shaping must fit for visual conveyance of all character planning’s commands and standards.更多还原