【作者】 蔡益怀；

【导师】 饶芃子；

【作者基本信息】 暨南大学 ， 文艺学， 2000， 硕士

【摘要】 本研究旨在以当代文化意识，用美学的、叙事学的方法，探讨二十年来香港小说的文学形象与叙事范式。八、九十年代的香港处于经济转型期、政治的过渡期，在这样的时代背景下，香港小说也呈现出新的格局，表现出鲜明的都市性及浓厚的本土意识。都市的空间、都市的生活方式影响着人们的美学认知与表述方式，特别是在后现代的商业文化语境及殖民与后殖民处境下，香港小说家的叙事范式也出现了很大的变化。二十年来的香港小说，无论是在题材，还是在文化意识方面，都出现了新的特色。本论文分为三大部分：1．考察香港小说的时代特色及定位、创作现状与研究现状，了解作家的构成；2．分析香港作家「讲故事」的方式，认识香港小说的叙事范式及演变；3．探讨香港小说中的「香港形象」，揭示其文化内蕴、社会历史经验。更多还原

【Abstract】 With contemporary cultural consciousness, this article is to inquire into the literature images and the narrative paradigm of Hong Kong novels in recent 20 years in which the methods of aesthetics and narratologic are used widely.In 1980 and 1990,Hong Kong was in the period of economic transformation and of political transition. under this backgmund, Hong Kong?s novels also assumed a new pattern, expressing a striking modern city?s character and a stn~ng native country?s consciousness. The ioom and living stnicture in modem city had a deep affect upon people?s aesthetic conception and expression. especially, because of living in a context of postmodemism?s commercial culture and feeling the atmosphere of colonialism. postcolonia]ism. Hong Kong?s writers had changed a lot in their narrative paradigm. Consequently, fmm the range of subjects to cultural consciousness, Hong Kong?s novels of recent 20 years had taken on a new looks. Thus, in order to clarify it the article consists in three parts: 1. Inspect the time?s characteristic of Hong Kong?s novels, its position in history. present situation of writing and research. Besides, make people understood the composition of Hong Kong?s writers. 2. Analyse the ways of elling stories?of Hong Kong?s writers and recongnize the naimtive paradigm of Hong Kong?s novels, its development.3 . Inquire into he image of Hong Kong?and reveal its cultnial content, social historic experience.更多还原