【作者】 乌日瀚；

【导师】 戚序；

【作者基本信息】 重庆大学 ， 美术学， 2011， 硕士

【摘要】 在全球化的大背景下,世界文化逐渐走向一体化。我国地域版画创作也发生着巨大的变化,在西方强势文化的冲击下,对于本民族的民间文化“源”的关注度还很有限,呈现单一化的趋势,版画创作对于本土文化的挖掘有待进一步深入研究。而民族民间文化对地域版画创作的可行性论证是本文主要研究的问题。温家宝总理在全国人大十一届四次会议中指出——文化对民族和国家的影响更深刻、更久远。要更好地满足人民群众多层次多样化文化需求,发挥文化引导社会、教育人民、推动发展的功能,增强民族凝聚力和创造力。在这种形式下,许多艺术也逐渐关注本土民族民间文化的借鉴。且对于一个民族的艺术创作来说,应当把目光放在历史形态的地域民族民间艺术上,努力寻求、发现、发掘和培养符合当代形态的地域美术,这样才能丰富自身的精神文化养料。和林格尔剪纸于2008年被国务院列入第一批国家级非物质文化遗产扩展名录,这充分肯定了其艺术价值与地位。当前,从美术学角度对和林格尔剪纸进行研究的有国家级传承人段建珺的两本以图片资料为主的专著,但是针对和林剪纸造型特征、文化内涵等系统分析等方面的研究还很欠缺。在剪纸与其他艺术形式的结合与应用方面,多数学者从设计学的角度来研究,而与美术学中的创作相结合的研究还相对寂寞。怀着保护和发展和林格尔剪纸的目的,笔者尝试着将剪纸与美术创作相结合,借鉴和林格尔剪纸经验,使剪纸获得载体上的延伸和文化上的传承。总之,在注重民间文化的今天,本研究以国家级非物质文化遗产和林格尔剪纸为研究案例,以美术学为基础平台,结合社会学、历史学、民俗学等进行多维度研究。文中首先对剪纸的历史渊源及风格特征、文化内涵、审美特征进行系统梳理;其次,借鉴剪纸的造型特征、审美取向等探寻其在地域版画创作中的可行性。通过彼此学习借鉴,互惠互利,从而为地域版画创作提供了更丰富的内涵及创作语言,达到长远发展。最后,提出后续研究建议及展望。更多还原

【Abstract】 World culture gradually towards integration , in the large backdrop of globalization. Our Regional Engraving Art making has a tremendous changes, In the influence of western culture shock,Concern for the national folk culture’s "source" is still very limited, showing a single trend, Further studies on native culture mining in regional graphic arts is required. Feasibility demonstration of national folk culture in regional graphic arts t creating is the main problem of this article. At the fourth plenary session of the eleventh central committee of the National People’s Congress, Premier Wen jiabao point out——the culture which affect the Country and nation much deeper and more lasting. to be better satisfied the need of the masses by multilevel and diversification culture, Exert the function of Culture which could guiding social, educating the people, propel the development, increasing the national cohesion and creativity.Under this form, many arts are gradually concerning the reference of local folk culture. And for a nation’s artistic creation, it should look at the history form of regional folk art, and to seek, discover, explore and develop the regional art in line with contemporary forms, so as to enrich their spiritual and cultural nourishment.Horinger paper cutting was included in the first batch of national intangible cultural heritage expansion list by the State Council in 2008, which fully confirmed its artistic value and status. Currently, from the perspective of arts, and two books study the national heritage of Horinger paper cutting that dominated by Duan Jianjun, which are with pictures and monographs as main, but for the shape, culture connotations, and aesthetic characteristics, systems analysis, etc. of the paper cutting as the research objects are still lacking. In the aspect of the combination and application of paper cutting and other art forms, most scholars from the design point of view to study and learn the creative and art of combining study also relatively lonely. With the protection and development and the purpose of Horinger paper cutting I try to combine writing and art paper cutting, reference to paper cutting’s experience, to make cutting obtain the extension on carrier and cultural heritage.In short, in today of focusing on folk culture, the study with national intangible cultural heritage and Horinger paper cutting as the study case, with art as the basic platform combining sociology, history, folklore to carry out multi-dimensional study. The paper first carries out system carding on the history, style features, culture connotations, and aesthetic characteristics of the paper cutting; second, draw the shape features and aesthetic orientation of paper cutting, to explore its feasibility in the region printmaking. By learning from each other, to obtain mutual benefit, so as to provide a more rich content and creating language for the regional graphic arts, to achieve long-term development. Finally, it proposes suggestions and prospects for future research.更多还原