【作者】 李朋；

【导师】 金晓非；

【作者基本信息】 河北大学 ， 广播电视艺术学， 2011， 硕士

【副题名】以新世纪十年华语大片的艺术创作为例

【摘要】 进入新世纪以来,随着国际经济一体化和受众接受心理的要求,商业“大片”逐渐走向历史的舞台,以好莱坞电影为首的国际大片席卷了整个世界。2001年,由张艺谋导演的《英雄》拉开了华语大片风起云涌的序幕,近年来,我国电影业迅猛发展,以华语大片为主的电影票房份额已开始领先进口电影。可以说,华语大片为推动中国电影产业化、促进了中国电影走向世界和未来,取得了历史性的成就。随着电影商业化和来自国外电影的竞争和压力,华语大片在艺术表达上呈现了好莱坞大片的共性,并在一些影片中,在一定程度上偏离了中国文化内核,引起相当大的质疑和关注。然而,华语大片作为一种民族文化产业上的新生事物,始终在探索中前进,在近年来特别是在民族精神的内涵表达上,有了极大地提高。十年间华语大片的艺术创作,一方面在于大片已经在今天彻底突破了过去仅仅以武侠电影为中心的固定模式,有了新的开拓和突破。另一方面,华语大片无论在题材内容,艺术形式,叙述方法、结构形式上都深刻赋予了本民族独有的文化特质,呈现了鲜明的中国特色。本文从十年华语大片民族风格的具体表现入手,以史实和理论相结合的研究方式,分别从影片类型,主题,艺术形式着手,总结其在艺术创作上所具有的独特中国式表达,并分析在新世纪环境下呈现的新特点,考察华语大片美学风格的进一步演进。最后,通过对中外四部大片的文本对比与分析,从纵向和横向的方面具体分析华语大片中国特色的表现方面,进而得出华语大片在全球化背景下,走中国特色道路所采取的策略。更多还原

【Abstract】 In the new century,as the integration of international economic and the psychological requirements of the audience,the Commercial blockbuster is gradually heading towards the stage of history,and the Hollywood blockbusters swept the entire world.In 2001,Zhang Yi mou’s“Hero”opened a large surging prelude in Chinese blockbuster,then as a unique cultural phenomenon the "Chinese blockbuster"began to enter China’s cultural and public life, gradually into the mainstream in commercial films.As a new thing in Chinese cultural industries, the Chinese blockbuster always move forward in the exploration, achieving greatly improvement in recent years especially in the expression of national spirit and content. On the one hand in Decade, the art of Chinese blockbuster has been completely broken through the fixed pattern those martial arts movies that centered solely in the past and have new development and breakthroughs. On the other hand,focusing absorb nutrients from the essence of Chinese traditional culture both in subject matter, art form and narrative approach, giving the profound structural forms unique to the nation cultural characteristics, and showing a distinctive Chinese characteristics.Starting with the incorporate of large Chinese national style in the Chinese blockbuster in a decade, and with the research methods of combination of historical and theoretical, this paper sum up their artistic creation of the unique expression of Chinese and analysis the new characteristics under of the environment In the new century, and started to review a further evolution of aesthetic of the Chinese blockbuster. Finally, by comparing and analyzing the four blockbusters with Foreign and china, this paper analysis Specific the Performance of the Chinese characteristics in Chinese blockbusters from the vertical and horizontal aspects and then draw the strategies with which the Chinese blockbusters take the road with Chinese characteristics in the context of globalization.更多还原