【作者】 刘冰莉；

【导师】 赵睿才；

【作者基本信息】 山东大学 ， 中国古代文学， 2011， 硕士

【摘要】 蒋捷,南宋遗民词人,与周密、王沂孙、张炎并称“宋末四大家。”蒋捷生于宋元易代之际,宋亡后隐居太湖竹山,号“竹山”先生,著有《竹山词》一部,《四库总目提要》称其词“练字精深,调音谐畅,为倚声家之榘镬。”蒋捷人品高洁,词风独特,但由于生平资料的匮乏以及研究者的忽略,其人其词尚未得到学界足够的重视。上世纪九十年代以来,陆续有学者以蒋捷为研究对象,尝试从其家世、生平、行迹等方面做解读,力图阐释形成其文本风格独特的深层原因。近几年,越来越多的学者开始从版本、接受史等方面对《竹山词》进行解构,将其研究导向深入。本文力图在前人研究的基础上,采用田野调查的方式,运用从家谱、地方志等文献中获得的新资料,进一步考证词人家世、生平、交游、佚诗等情况,并从理学气氛浓厚的时代背景出发,考量其对《竹山词》的影响。全文由以下七部分构成：第一章导论,概述选题的背景和意义,并简介研究思路和方法。第二章以相关文献、地方志以及蒋氏宗谱为据,对蒋捷的先系、家世进行详细考证,阐释蒋捷义不仕元的民族气节来自于其家族的深远影响。第三章依据发现的新材料,对蒋捷的生卒年重新进行考证,提出笔者的观点,并考证其交游,力图弥补蒋捷研究这一方面的空白。第四章考证蒋捷晚年行迹,对“为相士说”、“为僧说”进行批驳,赞成“为塾师说”的观点,并进行详细论证。第五章论述蒋捷与四处竹山的渊源,阐释其自号“竹山”的深层内涵。第六章对蒋捷现存诗九首进行考证与注释。其中《题函亭侯古庙》为笔者辑得,经考证为蒋捷诗。另外《潮音听潮》经考证为伪诗。第七章以理学思潮为背景,阐述理学对《竹山词》多角度的渗透与影响,以期从一新的角度解读《竹山词》,探究词人以“气节自许”的深层原因。更多还原

【Abstract】 Jiang Jie is known as one of the Four Great Verse Masters during the end of the Southern Song dynasty, which also includes Zhou Mi, Wang Yisun and Zhang Yan. Born and raised during the turbulent interim era when the Song dynasty was toppled and succeeded by the Yuan dynasty, he then spent the rest of his life as a hermit at the Mt. Bamboo near Taihu Lake, Wuxi. That’s why he gave himself the pseudonym (or "hao" in Chinese) "Mr. Mountain Bamboo". Zhu Shan Ci or "Lyrics of Mt. Bamboo " is his life-time work, for which Si Ku Quan Shu Ti Yao, or literally, the Essence of the Complete Library in Four Branches of Literature, praised that he "exercised accurate and insightful wording, harmonious tuning and velvety progression to such an extent that this masterpiece competently serves as a yardstick for lyricists." Despite Jiang’s loft conduct and distinctive lyric style, researchers are yet to acknowledge it due to their negligence and ignorance and insufficient information on Jiang’s life. Since 1990s, Jiang Jie, as a research subject, gradually moved towards the sublime of literary study as an increasing number of scholars tried to interpret him from perspectives like family history, personal life and experiences in order to dig deeper on causes for his unique poem flavor.Recently, more scholars attempt to deconstruct the Lyrics of Mountain Bamboo in aspects like edition or reception history, which brought the study a step forward. The author of this essay bases his study on preceding findings and newly-acquired information like genealogy and local history records and adopts the method of field investigation to further double-check the authenticity of the records on Jiang’s family history, life, human network, lost poems and so on. Note-worthily, the cultural background of then-dominant Neo-Confucianism is also taken into account and evaluated as an influential factor on his work.The whole article consists of 7 segments:Chapter I briefs on the motivation of choosing this theme and the approaches and the methodology to be adopted.Chapter II scrutinizes Jiang’s ancestry and background presented in relative records, like local history and Jiang’s family book and specifies on the far-reaching impact of his family on his decision to not serve in Yuan’s government but live a seclusive life.Chapter III re-explores Jiang’s birth and death date myth with new evidence and comes up with a different conclusion. His human network is also reviewed here, with a hope to shed some insight on this seldom-touched facet of the study.Chapter IV expounds on the author’s support for the "been a private school teacher" remark on Jiang’s late life, among three popular yet mutually-conflicting remarks on Jiang’s sequestering second-half life:"been a fortune-teller", "been a monk" or "been a private school teacher".Chapter V specifies on the connotation of his pseudonym "Mr. Mountain Bamboo" by documenting and explaining the relationship between his life and the mountain.Chapter VI reviews the authenticity of nine of allegedly his poems and annotates them, among which Ti Han Ting Hou Gu Si, or literally, "Scribbled on the Ancient Temple Named after Marquis Hanting", not included in the Lyrics of Mt. Bamboo but found by the essay author, is proven to be a genuine piece by Jiang while Chao Yin Ting Chao or "Tiding Listening to Rising" is falsified.Chapter VII tries to interpret the multi-dimensional infiltration and impact of the prevalent Neo-Confucianism on the Lyrics of Mountain Bamboo in the light of mainstream thought, hoping to unearth deeper reasons why the lyricist "took pride in his secluding escapade"更多还原