【作者】 许道军；

【导师】 葛红兵；

【作者基本信息】 上海大学 ， 中国现当代文学， 2010， 博士

【摘要】 本论文的研究对象是中国现代历史小说。我们所理解的中国现代历史小说是现代中国人对民族历史的理解与想象、建构与重构,是民族历史知识、历史思想与历史智慧的现代叙事形态。研究方法是小说类型学,尝试克服小说观念上的雅俗偏见,打通小说形态的媒介区隔(纸媒与网络),通过分析现代历史小说的文体形态、叙事模式与类演替现象,考察中国现代历史小说在历史小说类型历时演进中的位置与共时特征中的个性。论文主体部分由五章组成。前言交代研究目的和设想,结语交代研究的结果。一二章试图以小说类型学为元方法,初步建立历史小说类型视域,三四五章将中国现代历史小说置于其中,在民族志与时代志层面展开研究。第一章简单梳理了历史小说类型研究的历史与现状,总结了传统历史小说研究的三种基本模式,对其整体缺陷做了批判分析,在此基础上从研究对象、研究目的、分类标准、分类层次诸方面提出了自己的类型学视域和设想。我们认为,传统历史小说研究存在着如下整体缺陷:没有独立的历史小说研究方法论;没有对历史小说成规的宏观考察,从未阐明历史小说的“类”特征、“类”属性;没有对历史小说类型内在发展规律做出明确描述与阐释,没有深刻观察到历史小说内部混类、兼类以及子类发生发展衰亡的现象,准确说明历史小说内部发展的奥秘;从未真正把历史小说作为民族志考察,对民族自我反思思维模式、心理定势做出检视。第二章针对传统历史小说研究的整体缺陷,在小说类型学分类构想下,指认了历史小说的根本特征,提出了历史小说类型的分类依据和类型概念,总结了历史小说的类型特征,划分了历史小说内部的子类型谱系。在表现历史记忆的时间、空间与事件紧密结合的程度上,以及在题材相关性、价值相关性以及语体语貌相关性的综合考察基础上,我们确立了历史小说类型研究的基本路向。我们认为历史小说是以历史回溯为途径、对历史重要事件、重要人物或拟想历史重要事件、重要人物作指向家国梦想的主题化和情节化处理,表现叙事者对民族来路去路反思和个人在世安顿思考的小说类型。其中,来自“历史记忆”或拟想的“重要事件”、“重要人物”是叙事成规的“语义”要素,指向家国梦想的“主题化”和“情节化”是叙事成规的“句法”要素。在叙事成规的不同呈现基础上,我们将历史小说分为历史演绎小说、历史建构小说和架空历史小说三个子类型,从中梳理出历史小说的发展路向和子类型谱系。第三章从文体形态变迁的角度描述现代历史小说面貌,演义体与自由体、革命体与后革命体、趋影视体与拟讲史体是现代历史小说的基本文体,而每种形态的形成与变迁,外部表现为文体和言语形式的变化,内部则反映了时代物质生活与精神生活的变化、时代语境与历史思想的转换。第四章从叙事态度与功用目的的角度深描了现代历史小说的叙事模式。历史认同叙事、历史建构叙事、历史思辨叙事与历史架空叙事是现代历史小说的四种基本叙事模式,不同的叙事模式体现了对历史记忆的不同理解与想。第五章以革命历史小说(后革命历史小说、新革命历史小说)、新历史小说、网络讲史小说、历史侦探小说、历史官场小说、架空历史小说等为例,从类型演进角度,考察了中国现代历史小说的发展模式与演进规律,子类型的生长与变异、子类型的消溃与激活、混类与兼类、仿类与逆类等重要的现象。更多还原

【Abstract】 The study object of this paper is modern Chinese histotrical fiction, which as we hold is the modern Chinese people’s anderstanding and imagine ,construction and reconstruction of national history, the modern narrative pattern of the knowledge , thinking and wisdom of the national history. The study method is typology, we attempt to overcome the prejudice of refind and popular on novel concept, to break down the novel forms of media segments (paper media and networks), by analyzing the style of the modern historical fiction form, narrative patterns and the phenomenon of genre succession, to make an on-the spot investgtion on the position of modern chinese historical fiction in evolution of history genre and the difference with common character of historical novel genre. Preface introduces the study purpose and the concept and the conclusion explain the results.The first and the second chapter attempt to use the typology as the element method, depending on the initial establishment of historical fiction for the type field, chapter 345 will put Chinese modern historical fiction into the field of hiatorical fiction genre and to study it at the level of ethnography and age.The first chapter simply combes the history and current situation of the research in historical novel genre, summes up three basic models from traditional historical novel study , have done a critical analysis of the whole, on the critical analysis about their whole shortcomings ,the paper put forward the field and conceive of historical fiction genre from the object of study, research purposes, classification standards, classification level aspects .We believe that the study of traditional historical novel as a whole there are shortcomings: there is no independent historical fiction research methodology; did not have a macro-examine about the conventions of historical fiction, never clarified of the "genre" features, "genre" attribute about historical fiction; did not have a clear description about the inherent laws of development of and interpretation, on historical fiction types genre,and there had no deep observation on the phenomenon of mixed genre, within genre and the decline of the occurrence and development of th subclass of the historical fiction ,made an accurate description about the the mystery of internal developmen of historical fiction; never really take an the historical fiction as ethnography to sutdy,and never investigate it as a of national self-reflective mode of thinking and psychological make-set view.Aiming at the overall defect of traditional historical study , under the concept of typological classification of fiction ,the second chapter identifies the fundamental characteristic of historical fiction, proposes the classification of historical fiction based on the type and genre concept,summs up the feature of historical fiction genre and divides into sub-genre within the lineage of historical fiction.In the performance of historical memory of the time, space and incident closely, as well as in terms of subject relevance, value relevance, and language-related appearance of body language on the basis of a comprehensive study, the paper has established basic way to historical fiction genre of research. We believe that the historical fiction is a genre based on the way back in history, an important event in history, We believe that the historical novel,based on the way back in history,is theme-based and circumstances of processing to an important event in history, important figures , it represents the people’s dreams of home and country themes and plot of treatment, the performance of the narrator avenue for national reflection and antecedents individuals living Anton novel type of thinking. Among them, from the "historical memory" or intended to be thinking about "important event", "important people" is the narrative conventions of the "semantic" elements.The point to the dream home and country "theme" and "plot" of a narrative conventions of the "syntactic" elements.Based on the narrative conventions of the different rendering , We divided historical fiction into the historical interpretation of historical fiction novels, historical novels and elevated historical novel construct three sub-types in order to tease out the future development and its sub-types of pedigree of the historical novels.Chapter III describes the appearance of the modern historical novel from the aspect of morphological perspective of style. Kingdoms body and free verse, the revolution body and post-revolutionary body, increasingly talking the history of film and television body is the basic style of the modern historical novel,and each pattern formation and chang has both the external manifestations of the changes in style and forms of speech and the internal manifestations of the times within the material life and the spiritual changes in the ideological and historical context of the times the conversion .Chapter IV describes the narrative mode of the modern historical novel from the narrative perspective of the purpose of attitude and function. Identity narrative history, historical construct narrative, historical narrative and historical aerial speculative narrative of the modern historical novel is the four basic narrative mode, different narrative patterns reflect different interpretations of historical memory.Chapter V, based on the example of overhead Revolutionary historical novel (post-revolutionary historical novels, the new revolution, historical novels), the new historical novels, the network stresses the history of fiction, history, detective fiction, historical officialdom novels, historical novels and so on, from the perspective of evolution type, explores the development model of China’s modern historical novels and the law of its evolution ,sub-type of growth and variation, sub-type of consumer ulcer and activation, mixed classes and multi-category, imitation and inverse genre and other important phenomena.更多还原