【作者】 成佩；

【导师】 邵大箴；

【作者基本信息】 中央美术学院 ， 美术学， 2010， 博士

【副题名】兼论写生对20世纪中国人物画的影响

【摘要】 本文是黄胄艺术的个案研究。通过把黄胄的绘画放在中国传统人物画创作的历史长河和20世纪西学东渐下的写实主义艺术思潮影响下进行考察,本文探讨了黄胄绘画的艺术特征以及其风格的形成原因。黄胄的“写生”实践沟通了中国人物画传统与西方写实传统,形成了20世纪中国画人物画艺术中极富特色的创造。这种创造不仅是风格意义上的中西融合,更是艺术创作方法论意义上现代转向。通过黄胄艺术的个案研究,论者试图从一个侧面再现20世纪中国人物画创作的基本面貌和创造性的成就。更多还原

【Abstract】 The article is a study of Huang Zhou’s art. By studying Huang’s paintings in the history of traditional Chinese figure paintings’creation and under the realism art trend of thought’s influence on the Western learning flowing into the East in the 20th century, the article discusses the art feature of Huang’s paintings and the cause for the formation of its styleHuang’s sketching from life has linked the Chinese figure painting tradition with western realism tradition, and formed the extremely characteristic creation in the 20th century Chinese figure painting art. This creation is not only the style fusion of China and the West, but also the modern art methodological turn.By the research on the study of Huang’s paintings, the writer will try to reproduce the fundamental condition and the creative accomplishment of 20th century Chinese figure painting’s creation from one side.更多还原