【作者】 张羽翔；

【导师】 薛永年；

【作者基本信息】 中央美术学院 ， 美术学， 2010， 博士

【摘要】 文章从造像题记文辞内容所蕴涵的文化意味、书写和刊刻、书法风格的分类及与其他写刻资料的比较、龙门造像题记书法的经典化等方面对龙门北魏造像题记书法风格的特征、书法风格的形成以及在后世的影响等进行了系统考察,并为由此而引出的对书学中的一些重大问题的讨论作好铺垫。文章指出龙门北魏造像题记书法风格的形成是一个多种文化因子复合影响的过程,是北魏汉化过程中文字审美的产物,是与胡汉杂糅的文化背景、汉化与反汉化的争斗、摩崖的书刻载体、造像主的身份和祈愿、书手、刻工、别字的流行、日常手写体进入铭石书体系等因素密切相关的。龙门北魏造像题记书法在线质的表现、艺术空间的塑造、意境的营造等方面有新的突破。清中期以后,龙门北魏造像题记书法的美学内涵不断得到发掘,逐步成为了书法经典,对当代书法艺术创作有着极大的启发作用。更多还原

【Abstract】 Through the aspects of cultural meaning、writing、inscribing、calligraphy-style classification, comparison with other engraved information and the classics of calligraphy of Longmen Statue Inscription, etc, which are implicated by the diction content of statue Inscription, this article carries out a systematic study on the features of calligraphy style, the formation of calligraphy style, and the impact of future generations of the Longmen Northern Wei’s Statue Inscription, meanwhile, it paves the way for the discussion of the major issues in the study of Calligraphy. The article points out that the formation of calligraphy style of Long men Northern Wei’s Statue Inscription is a complex process affected by multi-cultural factors, a product of writing aesthetics in the process of Northern Wei’s Chinese localization, which is closely related with culture mixture of Hu and Han、the struggle of Chinese localization and anti-Chinese localization、the carrier of cliff’s carving、identity and pray of the Statues、writers、carvers、the prevalence of mispronounced characters、the daily handwritten form into the system of stone tablet with inscriptions, and other factors. Longmen Northern Wei’s Statue Inscription Calligraphy has a new breakthrough on the performance of line quality、the shape of art space、and the creation of artistic conception. After the middle of the Qing Dynasty, th aesthetic connotations of Longmen Northern Wei’s Statue Inscription Calligraphy has been continuously exploring, which gradually becomes calligraphy classic with a great inspiring role for art creation of contemporary calligraphy.更多还原