【作者】 舒媛媛；

【导师】 赵杏根；

【作者基本信息】 苏州大学 ， 中国古代文学， 2008， 博士

【副题名】以“江湖”与“庙堂”的互动为中心

【摘要】 “江湖”与“庙堂”对举,是独立于宗法体制、政治体制之外的存在。江湖文化是江湖群体的价值选择、道德规范,与以儒家为代表的庙堂文化构成对立统一关系。“江湖”与“庙堂”的贯通,使它具有被改造利用的合理内核。而它的背离,它巨大的威力又使“江湖”成为不可小觑的力量。“水浒”起自江湖草莽,却可以上达“庙堂”,既有文人士大夫赞其“忠义”,皇亲国戚刊刻《水浒传》,撰写水浒戏剧;也因为“诲盗”而被统治者列禁,甚至作为工具被推到政治斗争的前沿。“水浒”的兴起、流变是“江湖”与“庙堂”共同作用的结果。论文以“江湖”和“庙堂”互动为中心,也就是要勾勒出水浒在“江湖”与“庙堂”共同作用的张力场中变化演进的轨迹。第一章成书研究。水浒故事从江湖本事,发展到极具忠义色彩的文人小说,历经南宋、元代。“盗”与“贼”的区别,为后世敷衍水浒“忠义”奠定了基础。第二章水浒故事的明清传播。这一时期经历汉人政权从重建到覆灭的过程,也是阳明“心学”从兴起到衰落时期。“遗民”不仅是一种社会现象,同时也是一种文化现象。高扬的“自我”从发现到失落,对士人心理也造成影响。这一时期水浒传播方式包括评点、续书、戏曲说唱等。明末农民战争,“复活”的“水浒英雄”将朱明王朝席卷而去,见证了“江湖”的威力。第三章水浒故事的近现代传播。动荡变乱是这一时期的总特征,侠义精神再次得到推崇。小说作为启蒙民智的重要工具受到重视。小说政治化解读是这一时期主流。水浒续书为抗日战争作舆论宣传。新编革命京剧突出“官逼民反”主题,直接为革命斗争服务。第四章水浒故事的当代传播。在全民批水浒的热潮中,水浒作为工具被推到政治斗争前沿。当代影视传播,彰显人文关怀,进一步扩大了水浒影响。第五章“水浒气”与江湖遗风。探讨水浒广泛流传与“勇为达德”的国民心理之间的关系,探寻江湖文化在当代的表现形式,及其对今日社会的影响。更多还原

【Abstract】 “Jiang Hu”is opposite to“Miao Tang”, on which is another independent live beyong the system of blood and government.“Jiang Hu”culture is morals concepts and standards of Jianghu group, which forms the relationship of the unity of opposites with dominant culture , represented by the confucian culture. Because of the unity,“Jiang Hu”has reasonable“stone”to be altered and used by“Miao Tang”. Because of the opposite,“Jiang Hu”is also one kind of irresistible power. Water margin came from“Jiang Hu”,but affected“Miao Tang”, while scholars praised its ardent loyalty, princes and princesses of the royal family printed Water margin and wrote dramas. Nevertheless, Water margin was also forbidden for propagating violence and was pused to the forefront of the political struggle as a tool. The spread of Water margin is the product of common act by“Jiang Hu”and“Miao Tang”. Paper is wanting to describe the trajectory of the spread and change of Water Margin, under the common act by“Jiang Hu”and“Miao Tang”.Chapter 1 discuss the form course of Water Margin, including Song and Yuan dynasty , the marked difference between“robber”and“rebel”laid a foundation for later generations to elaborate loyalty and code of the brotherhood..Chapter 2 discuss the spread of Water Margin between ming and qing dynasty . This period went through rebuild and destruction of state power of the hans, also the rise and decline of“xinxue”. Old adherent of the past dynasty is not only a social phenomenon , but also a cultural phenomenon. The rise and decline of“ego”had effect on scholar. the spread of this period included comments、follow-up novels and traditional opera. In the last years of Ming dynasty, it was revival heroes that destroyed the Ming dynasty, witnessing the power of“jiang hu”.Chapter 3 discuss the spread of Water Margin of modern time, which is a time of turmoil ,chivalrous spirit is praised highly . the novel is used as a tool of the Enlightenment . the political explanation of novel is prevalent. new—created jingju stressed on“bi shang liang shan”, serving the revolution directly. Chapter 4 discuss the spread of Water Margin of the contemporary era . in the great mass fervor of comment on Water Margin, water margin was pused to the forefront of the political Struggle as a tool. Spreading through movie and TV play series, with obvious humanism, had extended social influence of Water Margin . research on Water Margin is also becoming diversified.Chapter 5 discuss the“shui hu qi”and the custom left by“JiangHu”, to find the relationgship between Water Margin and national psychology , and to find the exist of“Jiang Hu”culture in the contemporary era, seeing how it acts on today’s society.更多还原