【作者】 李仲如；

【导师】 顾森；

【作者基本信息】 中国艺术研究院 ， 美术学， 2007， 博士

【摘要】 本文围绕着中国学院背景女雕塑家的创作中规律性的特点展开研究，以直接史料收集、形式分析和图象阐释结合创作发生的社会历史背景分析等方法为主要方法。全文共分为四章：第一章以探究女性雕塑家创作风格演变以及演变中的女性意识的变化为重点，力求全面地分析、归纳中国学院背景女雕塑家创作风格及其演变的过程。中国学院背景女雕塑家的创作风格，大体可以概括为三大类：现实主义创作风格、现代派创作风格和雏形阶段的女性主义艺术风格。在对中国学院背景女雕塑家创作风格的演变过程的分析中，剥离出其中最显著的两个特点：其一，中国女雕塑家创作风格演变中，表现出的女性意识经历了隐现、觉醒和突显不断变化过程；其二，中国女雕塑家的创作风格演变是一种不以群体转型为主，而以女雕塑家在不同历史时期背景下的自我转型为主的方式。第二章着重分析了中国学院背景女雕塑家创作中的女性特征。所谓女雕塑家创作中的女性特征，是自然和社会文化双重因素在女雕塑家创作中的具体表现。文中通过比较、例证、图像分析等方法归纳出的中国女雕塑家在创作中的女性特征表现为三个方面，即雕塑创作中的女性视角(慧眼)、女性独特感受(兰心)、女性特有的表现方式(水志石言)。第三章总结出中国女雕塑家在雕塑创作中，以女性的方式将传统雕塑技法、民间美术形式和中国传统艺术精神的感悟融入已掌握的西方雕塑创作方法中这一创作特点。这些雕塑作品既呈现出中国传统艺术的特色，又体现了女性对中国传统艺术的特有感悟。第四章分析了女雕塑家在创作中如何受到其它门类艺术影响，并怎样以女性的方式将之融进自身的创作中。这种受到其他艺术门类作品影响的创作特点是女雕塑家在接受专访时普遍强调的，并引起了本文作者的高度重视。在对此问题的论述中，虽然涉及包括文学、影视、音乐、舞蹈、绘画等许多艺术门类，但仍立足于对雕塑本体的研究，而不是对各艺术门类总体规律的美学意义进行探讨。中国女雕塑家创作中体现出的受其它门类艺术影响所形成的特点为：创作中将女性对其他艺术的“感性印象”，通过包括显性和隐性的“移植”方式，体现在雕塑作品上。更多还原

【Abstract】 This thesis is a study of the patterns of the creative work of the Chinese women sculptors with school backgrounds. Based on site visits and interviews, artistic analysis of the works, and by putting the works in the bigger social and historical backgrounds, the study is composed with the following four chapters:Chapter One outlines the evolution of the artistic work of the women sculptors with school backgrounds in China, and reviews the evolving role of the ferninine awareness in these works. The creation path of women sculptors in China can be divided into the following three stages: realism, modernism and feminism at its primitive stage. In this process, the role of feminine awareness in the works has demonstrated two distinct features: Firstly, feminine feature shown in the works has evolved from subconscious expression, awakening to conscious celebration. Secondly, the evolution of the styles of the Chinese women sculptors did not feature a clear-cut collective transition, but rather on an individual bases in light of the specific historical period she was in.Chapter Two focuses on the feminine features of the works of the Chinese women sculptors. The feminine features of the works refer to the embodiment of both the physical and socio-cultural features of the female. Through comparative studies and sample analysis, the study has summarized embodiment of female feature in the works as the following three aspects: the female perspective(vision), the female perception(feeling), and the female expression(materials and techniques).Chapter Three focuses on how the women sculptors synthesize traditional sculpture techniques, folk arts and traditional Chinese art culture with the western sculpture techniques in which they were trained. Because of this synthesis, the works by the Chinese female sculptors always carries a tune of traditional Chinese arts.Chapter Four discusses how the women sculptors incorporate the influence of other forms of art into their work in a unique feminine way. The female artists interviewed in this study almost unanimously emphasized how arts of other formats had influenced their work. This chapter though touches upon the arts of literature, movies, music, dance, and painting, still centers on the study of art of sculpture. The unique feature of how the female sculptors express the influence of art of other forms is: Chinese women sculptors transfer the impression of other art form to their works.更多还原