【作者】 于东晔；

【导师】 朱栋霖；

【作者基本信息】 苏州大学 ， 中国现当代文学， 2003， 博士

【摘要】 女性主义文学理论，是西方女权主义运动的文化派生物，在二十世纪八十年代初翻译介绍到中国。此时中国女性的性别意识正从“男女都一样”的政治话语遮蔽下苏醒，女性主义文学理论提供的批判男权秩序及文化的立场和方法，正与这种苏醒相契和，因而对中国的女性书写产生了极大影响。 女性主义文学理论对中国女性书写的影响体现在两个方面：对批评的影响和对创作的影响。在批评影响中，由于女性主义文学理论自身的开放性，以及八十年代中国的思潮流派热、方法论热，体现出丰富性和多样性。本论文采用艾布拉姆斯在《镜与灯》中所提出的艺术批评诸坐标的观点，分别从作品与世界(社会历史方法)、作品与艺术家(心理学方法)、作品与欣赏者(接受理论)、作品自身(文本分析方法)等角度，梳理、阐述女性主义的特质及多元性。 女性主义文学理论对创作的影响体现在由于女性视点的介入，使作品的主题、人物、叙事等层面所产生的变化。女性主体意识的生长与壮大使女性写作经历了从“少女时代”到“成年时代”再到反叛男权文化的阶段，而商品经济的发展则使女性主体意识萎缩，从而出现了向男权传统回归的迹象。女性形象则由传统的仰视男性向平视、俯瞰、超越男性的转变。女性视点的叙事则使女性的生命体验得到了应有的言说，使男性作家的创作也有了女性视点的倾向。 中国的女性书写并不囿于西方女性主义文学理论的被动性影响，局限于解构，而是结合了本土的话语资源，做出了建构自己的话语的努力。女性写作不再偏执于一己的立场，而是站在性别立场的角度，提出了伙伴关系的社会组织模式的设想。更多还原

【Abstract】 Feminist literature theory is the culture derivation of the western feminist movement. It was translated and introduced to China in the 1980s. At that time, the gender consciousness of Chinese females was reviving from the political words of "men and women are equal". This consciousness agrees with the position and method provided by feminist literature theory to criticize male chauvinism’s order and culture. As a result, the feminist literature theory influences Chinese female writing greatly.The feminist literature theory has two aspects of influences on the Chinese female writing: influence on criticizing and influence on creations. The influence on criticizing reflects abundance and diversity because of the opening character of feminist literature theory itself and the upsurge of thoughts and genre in 1980s in China. This thesis adopts the viewpoint of artistic criticism put forward by M H Abrams in his Ife Mirror and the Lamp. It sorts out and sets forth the character and diversity of feminism from the angles of works and world (social historical method), works and artists (psychological method), works and appreciator (acceptance theory), and works themselves (textual analysis method).The influence of feminist literature theory on creation reflects on the changes of work’s theme, character and narration evoked by the intervention of female viewpoint. The growth and strength of feminist consciousness make female writing go through the experiences from "maiden time" to "adult time" and then to the period against man chauvinism’s culture. However, the development of commodity economy results to the recession of feministconsciousness and the sign of regression to man chauvinism tradition. The female images convert from traditionally looking upwards males to looking flatly, overlooking and overstepping males. The narration of female viewpoint makes female life experience get its deserved words and make male writers have tendency to female viewpoint in their creations.Female writing in China is not constrained by the passive influence of western feminist literature theory and structure. It integrates local words resources and endeavors to establish its own words. Female writing no longer persists in personal position, but puts forward the assumption of social organizing pattern in partnership.更多还原