【作者】 李晶；

【导师】 殷小烽；

【作者基本信息】 东北师范大学 ， 文艺学， 2014， 博士

【摘要】 传统艺术中材料语言一直担负着造型语言和色彩语言的基础，并长期隐蔽在幕后。现代艺术中它从幕后走到台前，其自身魅力被挖掘出来，绘画语言的内在结构也发生了根本性的变化，材料媒介的介入使绘画进一步走向综合。材料作为一种绘画语言的基础，聚焦材料物性与艺术家思想观念的关系，因此文章以“物性与神思的遇合”为题，探讨综合绘画材料的拓展与艺术呈现。在新的艺术观念推动下，从材料语言的基点来拓展艺术思维的新视角，带给材料以新的精神内涵。将学养积累逐渐转变成学术研究的基础，以学术研究与创作，对中国当代精神做出回应。物质和精神的契合将使材料超越自身物质的现实价值，而具有了超物质化的精神意义。文章分为以下五部分进行探讨。第一部分，探讨了西方传统绘画材料的起源与演进，从自然材料时期与人工合成材料时期两个阶段对绘画材料的变化与发展进行研究。进而深挖绘画材料发展脉络中的多种方式，艺术语言也在材料自身的自然力和创造力的释放过程中和表现征途中得到新生。第二部分，19世纪末20世纪初，西方生产与生活方式发生极大变革，哲学思潮对艺术观念的洗礼导致了现代绘画从内容、形式到手法等方面的巨大变化。一方面，新型化学合成颜料丙烯诞生；另一方面，现成品、新能源和新发明被艺术家引入画面，拼贴、拓印、压印、涂鸦等多种艺术呈现使绘画走向综合。立体主义、达达主义、波普艺术等派别与代表艺术家综合绘画语言的多元呈现，正是综合材料物性与艺术思想交织的结果。第三部分，’85思潮带来了中国现代艺术的强烈风暴，综合绘画介入中国当代艺术。诸多艺术家以西方现代绘画为范本，大胆地尝试新型综合绘画材料和媒介的绘画方式，从架上绘画的突破、中国绘画的嬗变、综合技法的应用、艺术实践与教学四方面分析了我国当代艺术思想的变革引发综合绘画的产生和多种呈现。第四部分，通过分析材料语言的精神指向与综合绘画艺术思想的涵容，进而阐明综合绘画物性与神思的互变与互动关系。思想的深化和创新使材质艺术获得生命和艺术本体的飞跃，艺术品在物性与思想的交融中相映成辉。第五部分，传统文化为艺术家的思想之花提供了富饶的土壤，现代、后现代思想为艺术家浇注了养分。综合材料语言在多种艺术元素下有了重新聚合，变化无限的可能。多元文化的当今社会，在物性与神思的共同作用下，综合材料绘画在艺术史的大花园中，终将美丽绽放。更多还原

【Abstract】 In the traditional art, material language has always served as the foundation of modelinglanguage and the language of color, and long-term hidden behind the scenes. In modern art, itcame from behind the stage its own charm was excavated, the internal structure of thepainting language has changed fundamentally with respect, material-media make the paintingto comprehensive.Basic materials as a kind of painting language, focus on the relationship betweenmaterial and artist ideas, therefore this article titled "material and mental state of the time",development and art of painting materials presented. In the new concept of art-promotion, toexpand the new perspective of artistic thinking from the point of material language view,bring new spirit connotation to material. The knowledge of material has been accumulatedgradually into the basis of academic research, and the research and creation of academic,celebrated with Chinese contemporary spirit widely. The material and the mentality make thematerial reality beyond the value of itself of material, and with the material of the spiritualsignificance. In this essay, I will give a discussion from five different aspects as follows.Firstly, I will illustrate the origin and evolution of traditional painting materials, changesof painting materials and progression in two periods from natural material-sand to syntheticmaterials. A variety of methods and deep drawing material development, artistic language alsorelease process materials in its natural and creative and get new journey.Secondly, I will give a focus discussion of the material’s development around the end ofthe nineteenth Century to the beginning of the twentieth Century, the Western way of life andproduction a tremendous revolution, baptism-philosophy on art idea led to modern paintinghuge changes from the content, form and style etc... One reason is due to The new chemicalsynthetic pigments propylene birth; on the other hand, competed products, new energy andnew invention was the artisanal the scene, collage, imprinting, imprint, graffiti and other artmakes drawing towards an integrated. A diversity of Cubism, Dadaism, pop art and otherfaction-sand represent artists comprehensive painting language, is the integrated material-andart thought results.The third part,20th century ’85thought has brought intense storms Chinese modern fineart paintings, comprehensive intervention Chinese contemporary art. Many artistsanti-modern western painting as a template, boldly try a new comprehensive paintingmaterials painting style, the painting on shelf break, change Chinese painting, applicationintegration technology, and a variety of art practice and teaching four aspects analysis ofChina’s contemporary art thought revolution of comprehensive painting show. The fourth part, I will give an analysis of material language spirit and comprehensivepainting artistic thought quality, mutual and interaction and the physical and mental state ofthe comprehensive painting. Thinking of deepening and innovation makes the material artsget life and artistic leap, art in the blend properties and mental reflection reborn a splendorouscontrast (new art form).Finally, traditional culture provides rich environment for the artist’s creative thoughts.Modern, postmodern thoughts support the contemporary artist with the organic idea.Comprehensive material language and polymerization in a variety of artistic elements createthe infinite possibility. Nowadays, the multi-cultural society, the interaction and thinking,comprehensive Mixed Media painting in art history in a harmonic union, and it will bring thegreat out-come in the future.更多还原