【作者】 杨慧；

【导师】 车文明；

【作者基本信息】 山西师范大学 ， 戏剧戏曲学， 2014， 博士

【摘要】 藏曲活动渊源已久，今于宋元时期藏书家目录、戏曲目录、学人笔记及文集中多有记载，然而在古代八百年藏曲活动的发展历史中，因秘而不宣的藏曲观念及戏曲从未进入学术研究视野等多种因素的影响，古代藏曲活动显而不彰，如此不但藏曲未能长存不散，也未能对古代戏曲研究产生重要影响。民国时期，随着西学东渐中国俗文学研究的兴起，在社会的大变革大动荡中，由学人个体肩负起的藏曲活动不但在保护中国古籍文献与文化上发挥了重要作用，而且对现代戏曲学的建构产生了重要影响。相较古代藏曲活动，民国时期藏曲活动在藏曲者、藏曲观念、藏曲范围、藏曲作用等方面发生了一些新变。首先，藏曲者身份多为戏曲研究者或是戏曲艺术家，他们或以戏曲表演为业，或以戏曲研究为业，藏曲之目的旨在学术研究，而在藏曲者间的藏曲活动交流及戏曲学交流极为频繁，国内戏曲研究者共同创办戏曲研究团体、互访戏曲文献，相讨戏曲研究中的各类问题；我国学者与日本学者者之间也互动频繁，不但为戏曲学保存了珍稀文献，也互相影响了他们戏曲文献的收藏范围及戏曲研究。其次，民国时期藏曲观念之新变对戏曲进入现代学术研究产生重要影响，戏曲研究者为研究需要而勤勉地搜集戏曲文献，提升了戏曲文献的价值，为戏曲学发展奠定了实证性研究基础。第三，民国时期藏曲范围相较我国传统藏曲，收藏范围由元曲杂剧、明清传奇等文人案头文献扩展至梨园抄本、曲谱、身段谱等民间场上文献，拓展了戏曲研究领域,由是民国时期藏曲数量蔚为大观。第四，民国时期私家藏曲的作用不但体现在文献的保存、整理、编纂出版方面为戏曲学奠定了坚实基础，而且对近代戏曲学体系的完善有实质影响，在戏曲史研究、戏曲文献研究、戏曲理论研究、戏曲剧场演出研究等方面推动了戏曲学的建构。论文通过系统整理民国时期私家藏曲活动相关史料，在中国藏曲发展史与戏曲学发展史视野下，将藏曲活动视为现代戏曲学实际发生及演变的存在方式，考察在民国藏曲活动中戏曲学的创建与变迁，考释民国时期私家藏曲者的藏曲实绩与取得戏曲学术成就。更多还原

【Abstract】 Collection of Chinese opea’s books began in the Song and Yuan dynasties, that recorded considerablly in contents of bibliophiles, opera catalogues, notes of scholars and works.In about800years that the development of collection of Chinese operas books, due to many reasons including the concept of collection of operas books which was not for the public, Chinese operas had never been regarded as the research object, collection of Chinese operas is obscure in ancient time.So these collection that is easy to be scattered can not bring an important impact on the study of Chinese operas in the ancient time.In the period of the Republic of China, with the penetration of western literature and the rise of Chinese popular literature, in the social reform and unrest, the Chinese opera collection campaign launched by individuals not only plays an important role in protecting Chinese ancient documents and culture but has a significant impact on the construction of modern Chinese opera studies. Compared with ancient opera collection, the campaign in the period of the Republic of China has some changes in several aspects such as collector, the idea, range and function of collection etc. First of all, most collectors are opera researchers or artists, who take opera performance or opera research as a profession. Their purpose of opera collection is to make academic research. The activities and communications concerning opera collection and Chinese opera studies between collectors are frequent. Domestic opera researchers co-found opera research community, exchange literatures and discuss all kinds of questions in opera studies; Chinese and Japanese scholars also interact with each other frequently, not only preserving rare literatures but affecting mutually the collecting scope and opera studies. Secondly, the concept of Chinese opera collection in the period of the Republic of China changes, which plays an important role in opera moving into modern academic research. Dueto the research demand, opera researchers spare no effort to collect relevant literatures, whichenhances the value of opera literature and lays the foundation of empirical studies for operadevelopment. Thirdly, in comparison with that of Chinese traditional opera collection, thecollecting scope in this period is larger, extending from written literatures like Zaju of Yuan,legends of Ming and Qing to folk stage literatures like Liyuan opera, scores, figure scores,which expands the research field of opera studies. Therefore, the number of opera collectionis extremely enormous in the period of the Republic of China. Fourthly, the functions ofprivate opera collection in this period not only represent in preservation, arrangement,compilation and publication, which paves the way for opera studies but have substantialimpact on the improvement of modern opera system, boosting the construction of Chineseopera studies from the research on the history, literature, theories and theatre performance ofChinese opera.This paper, after reviewing the relevant history of private opera collection in the period ofthe Republic of China, in the sight of Chinese opera collection history and opera developmenthistory, regards opera collection as the existing way of modern opera’s occurrence andrevolution, and examines the construction and variation of Chinese opera as well as the realcollecting performance and academic achievement of private collectors in that period.更多还原