【作者】 刘莉；

【导师】 宁稼雨；

【作者基本信息】 南开大学 ， 中国古代文学， 2013， 博士

【摘要】 中国封建帝王无论是明君,或是昏君、暴君,历来都是文学作品关注的对象。隋炀帝故事因其时代延续性、文体多样性、内容丰富性,成为暴君故事文学演绎中的典型,直至今日,仍为后人津津乐道。隋炀帝是中国古代臭名昭著的一位皇帝。在历代帝王中,他被赋予了少有的恶谥“炀”。他是历代臣子劝谏君主时常被作为反例引用的暴君典型。以炀帝为题材创作的诗文、戏曲、小说等历代层出不穷,在中国文学史上产生了深远影响。隋炀帝事迹见于《隋书》、《北史》、《资治通鉴》,以及新旧《唐书》等历史典籍。隋王朝结束了南北朝长期的封建割据,建立了统一富庶的国家。炀帝继位后,采取一系列措施巩固政权,经济、军事、外交等都取得进一步发展,但终因残虐百姓而亡,其事本来就富有传奇性。隋唐时期,便出现关于炀帝故事的民间传说。自《隋书》而后,文人士大夫更看重炀帝一朝之亡国借鉴,借此反思治乱之道,而野史笔记等则更重视对炀帝奢靡生活的展示。隋炀帝故事的演变过程是历代文人演绎历史、整合传说的过程。梳理隋炀帝故事发展的脉络,不仅能把握隋炀帝故事在不同时代的情节变迁、人物形象的变化,也更能发掘其故事形态发展演变之社会背景与文化意蕴。本文采用中国叙事文化学的研究方法,在搜集梳理历代隋炀帝故事文本的基础上,关注四大文化主题在其故事演变中之嬗变轨迹,剖析隋炀帝故事形态演变的规律及其折射出来的社会背景、思想状况的变迁。论文共由七部分组成：绪论主要是对研究对象、研究方法、研究现状的阐述。在明确研究范围、研究方法的基础上,揭示本文创新点。第一章文献综述,按照时代顺序梳理与隋炀帝故事相关的文献材料,分隋唐、宋元、明、清四节论述。简述炀帝故事主要文本的作者、版本、基本内容等,旨在对炀帝故事在历代的分布情况、体裁样式、主要情节等做整体观照。第二章梳理隋炀帝故事中暴君政治主题的发展演变,揭示暴君政治故事在隋炀帝故事系统中的演变态势及其折射的社会文化背景。隋末农民起义已将炀帝定义为“暴君”,唐代从总结“隋鉴”角度理性反思炀帝一朝之政治得失,叙述相对客观；宋元时期,则增加文学虚构的比重,着重于感性批判：明清时期,是隋炀帝暴政故事发展的集大成时期,在承袭前代故事的基础上,将对炀帝暴君政治的描写推到极致,以生动夸张的情节塑造了一个典型的暴君形象。第三章以炀帝故事系列中的帝妃情感故事为研究对象,梳理帝妃情感故事的发展演变及人物形象的嬗变,并从文化角度剖析其演变规律与原因。隋唐时期,帝妃情感故事在炀帝故事系列中所占比重较小,主要是依史演绎,文学创作成分较少；宋元时期,帝妃故事在炀帝故事中颇受瞩目,不但为炀帝构建了庞大后宫,也塑造了若干生动的人物形象,并带有明显的市民审美倾向；明清时期,帝妃故事被进一步扭曲,在新的审美观照下,炀帝的后宫展现出与前代迥异的风貌,炀帝从一个有雄才大略的皇帝被扭曲为“色情狂”或怜香惜玉的风流天子。第四章分析隋炀帝之帝王才情故事。隋炀帝是一个暴君,也是一位著名的诗人。历代炀帝故事对其才情亦有展示。隋唐时期,在才子情结的影响下,隋炀帝被塑造为文人形象,体现了士人的审美情趣；宋元时期,则更多受市民文化的影响,炀帝的诗才被限制于淫乐游逸范围内,并借此增加作品的传奇性与趣味性；明清时期,炀帝的诗才被有意忽略,成为一个平庸的帝王。第五章论述隋炀帝故事中的神秘文化主题故事。在隋炀帝故事中,有很多关于梦征、相术、占气、占星、童谣谶语等涉及神秘文化的内容。借助这些神秘手段,统治者通过神化王权以加强威慑力,而有野心的政治家也借此为改朝换代制造舆论。隋唐时期的神秘故事主要借相人术为隋炀帝登基、唐高祖称帝造势；宋元时期借梦征、妖物作祟等将炀帝形象进一步妖魔化,以示皇天不祐；明清时期则集中于炀帝身死亡国的结局,及其最终归宿。余论主要分析炀帝故事的演变态势,并对除四个主题外的其他炀帝故事进行简要说明。更多还原

【Abstract】 Chinese Emperors were known for wise ruler, tyrant, or fatuous and self-indulgent ruler, there is no shortage of literature on their stories. Emperor Sui Yang’s stories because of its age continuity, stylistic diversity and rich in content, had become a tyrant in the typical story of literary interpretation. Until today, people still talk about the story. Emperor Sui Yang was a notorious emperor in ancient China. In the ancient emperors, he was given the posthumous title "Yang". He is the ancient typical tyrant who was cited as a counterexample. The poetry, drama, novels about Emperor Sui Yang are very colorful, and has a profound impact in history of Chinese literature. Emperor Sui Yang’s stories can be mainly seen in the History of Sui Dynasty, History of Bei Dynasty, Mirror of Universal History, and so on. Sui Dynasty over a long time feudal separation of the Northern and Southern Dynasties, established a unified and wealthy country. Emperor Sui Yang ascended the throne, and adopted a series of measures to consolidate political power, economic, military, diplomatic and so on having further development. However, he died for maltreating people, which was legendary. Sui and Tang dynasties, the story and legend had appeared on Emperor Sui Yang. Since the History of Sui Dynasty, scholar-bureaucrats took more attention to the destruction of Sui dynasty, and learned to reflect on the theory of the governance of the country. Emperor Sui Yang’s extravagant life was showed in the unofficial history and novels. Emperor Sui Yang’s story is the history of the evolution of literary interpretation of the history, legends integration process. Combing the context of Emperor Sui Yang’s story, we can be not only able to grasp the story changes at different times of the plot, characters change, but also able to observe cultural background of some social thought refracted from the evolution of the Emperor Sui Yung’s stories.The paper utilizes the method of the Chinese narrative culture. Based on in the collecting texts Emperor’s stories, concern the evolution of four culture themes, and analyze the law of the evolution about Emperor Sui Yung’s stories and the social background, mind changes. The paper consists of seven parts:Introduction mainly describes research objects, research methods, research status exposition, based on a clear scope of the research and research methods, try to reveal this innovations.Chapter one is the literature review. According to the age, coding Emperor Sui Yung’s literature materials, which is divided four parts:the Sui and Tang dynasty, Song and Yuan dynasty, Ming dynasty and Qing dynasty. The main text of Emperor Sui Yang’s story, the version and the basic content are outlined in the chapter, which seeks to Emperor Yang story in the distribution of ages, genre style, and so do the whole main plot contemplation.Chapter two is the evolution of tyrant political theme about the story of Emperor Sui Yang, and reveals political theme’evolving situation and social cultural context. Emperor Sui Yang has been defined as "tyrant" in the end of Sui Dynasty peasant uprising and his tyranny acts mainly as bullying God and people. From the summary of "the mirror of Sui Dynasty ", the literature gave a rational and objective reflection on Emperor Sui Yang’s political gains and losses in Tang Dynasty, narrative relatively; Song and Yuan Dynasties, increase the ingredients of literary fiction, focusing on the emotional criticism; In Ming and Qing dynasties, tyrant political stories were great quantity. Based on previous generation’stories, Emperor Sui Yang was exaggerated to become a typical tyrant.The chapter three is about love story between Emperor Sui Yang and his concubines, and comb imperial concubines love story of evolution and the evolution of characters, from a cultural point of view and analyze their evolution and causes. Sui and Tang dynasties, love story is a smaller proportion of Emperor Sui Yang’ stories series in, mainly being interpretation of the history, literary fewer ingredients; Song and Yuan Dynasties, love story is popular. Not only built a large harem for the Yang Emperor, but also create a number of vivid characters, and the most prominent feature is the love story with a clear Aesthetic Trend of citizens; Ming and Qing dynasties, love story was further distortions. In the new aesthetic Perspective, Emperor Sui Yang’s harem showed very different style from the previous generation, and Emperor from a bold vision is distorted as "pervert" or a romantic emperor.The chapter four analyzes the story of the Emperor’s talent. Emperor Sui Yang is not only a tyrant, but also is a well-known poet. Ancient stories of Emperor Sui Yang also show his talent. Sui and Tang dynasties, under the influence of the wit complex,Emperor was portrayed a literary image, reflecting the literati aesthetic; Song and Yuan Dynasties, the story was more affected by citizen culture, and Emperor’s talent was only limited to dissolutet range, with increasing the legendary and interesting of the works; Ming and Qing Dynasties, Emperor’s talent was deliberately ignored, and became a mediocre Emperor.Chapter five discusses the mysterious story of the Emperor. Emperor Sui Yang’s stories have many dreams, physiognomy, representing gas, astrology, nursery rhymes and other issues involving the mysterious prophecy cultural content. The rulers strengthen deterrence and ambitious politicians prepared public opinion for the regime change with these mysterious means. Sui and Tang Dynasties’mystery stories primarily helped Emperor Sui Yang and Emperor Gao Zu ascended the throne by the metoposcopy. In Song and Yuan Dynasties, Emperor Sui Yang was further demonized by dreams, such as monster haunting; In Qing Dynasty, the stories were concentrated the outcome of Emperor’death, and his ultimate destination.The conclusion part mainly analyze the evolving situation about the story. In addition to, decrypted and analyzed the other types of stories except the four themes, revealed political theme and social cultural context.更多还原