【作者】 洪梅；

【导师】 马重奇；

【作者基本信息】 福建师范大学 ， 汉语言文字学， 2010， 博士

【摘要】 古入声属于韵母结构形态的范畴,入声韵的演变是现代汉语形成过程中发生的重大历史音变。韵书作为古代反映实际语音系统现存的重要研究材料,留下了入声韵演变的轨迹。明清两代音韵学著作大量涌现,语音发展迅速,是语音史上一个十分重要的阶段。本文采用文献材料和活方言材料相结合、共时与历时相结合的研究方法,选取明清时期有代表性的韵书,分为官话韵书入声韵研究、北方方言韵书入声韵研究以及南方方言韵书入声韵研究三个部分进行探讨。详细分析韵书中古入声韵字在韵书中的分布,并分析入声韵与阴声韵和阳声韵字不同的相配情况,同时还联系同时期的对音材料、韵文材料等进行综合比较,探讨入声韵韵尾的演变以及入声韵的归并。此外,通过比较不同地域、不同时期的韵书,分析中古入声韵在明清时期的发展趋势,探讨古入声韵在不同性质韵书中演变的规律及形成原因,勾画出入声韵明清时期发展演变的一个大体脉络。更多还原

【Abstract】 The entering tones of the ancient time belong to the scope of vowel structure and morphology. The evolution of the entering tones is a major historical Sandhi during the formation of the modern Chinese language. As an important existing research material, the ancient rhyming book reflects the actual voice system and leaving behind a path into the evolution of the entering tones. The time from Ming to Qing dynasty is very important stage in voice history. Large numbers of phonology books emerged in that time and voice system got a sound and rapid development. This paper selected the representative rhyming book of Ming and Qing Dynasties to explore the entering tones by using synchronic and diachronic research methods which combined the literature materials arid living dialects. It included studies about the entering tones in rhyming book of Mandarin, the Northern dialect, and the South dialect.The paper presented not only detailed analysis of the distribution of the mid-ancient entering tones in the rhyming book, but also analysis of the different cases of the entering tones match with positive or negative tones. Besides, it comprehensively compared the voice materials, verse materials of the same period to explore the end rhyme evolution and the merge of the entering tones. Furthermore, by comparing the rhyming books of different regions and different times, analyzing the developing trend of the mid-ancient entering tones in the Ming and Qing dynasties, exploring the evolution rules and causation of the ancient entering tones in different types of rhyme books, the paper sketched out the general context of the development of the entering tones in Ming and Qing dynasties.更多还原