20世纪90年代以来中国少数民族题材电影研究

【作者】 李芹；

【导师】 沈义贞；

【作者基本信息】 南京艺术学院 ， 电影学， 2010， 硕士

【摘要】 20世纪90年代以来,伴随着国内市场经济的发展和经济体制的变革,国内电影业发展的大环境发生了很大变化。电影体制的变革,使电影的创作方向趋向多元化。我国少数民族电影界也不可避免受到了潜移默化的影响。本文便是在此背景下,对20世纪90年代以来国内少数民族题材电影的创作状况进行了探析。论文共分为四个部分。绪论部分综述当前此领域的的研究现状及存在问题,并指出了研究的目的和方法。第一章,从宏观角度,结合国内少数民族题材电影发展史,以及国内电影界的发展情况,对20世纪90年代以来少数民族题材电影的发展状况作了概览,并指出了发展原因与不足。第二章,是论文的重点部分。从微观上,对20世纪90年代以来国内少数民族题材电影呈现出的美学特征作了具体分析。主要从题材选择、叙事策略、影像风格,以及在此基础上升华出的独特的民族内蕴几个方面着手探析。第三章,鉴于当前(主要是21世纪以来)国内少数民族电影界发展中呈现出的良好态势,尤其是更多的民族身份导演登上历史舞台这一令人欣慰的现象,择取其中具有代表性的四位导演,对他们本人以及相应的代表作品进行了详细分析。更多还原

【Abstract】 With the development of market-oriented economy and the reforment of economic system, the development environment of the film industry has changed greatly Since the 1990s. The direction of filmmaking is tending to variegation because of the change of the film industry. The film environment of Our national minorities has also changed.Based on this background ,the thesis analyzed the film production of Our national minorities from the 1990s.The thesis is divided into four parts.The introduction summarized the achievement and the shortage of the former research, pointed out the purpose and method of the research.In the first part,I outlined the Status of development of Our national minorities from the 1990s and the shortag from the macroscopic view, based on the history of film of Our national minorities and the development status of chinese film industry.The second part is central to the thesis. I discussed the aesthetic character of Our national minorities’film from the 1990s in detail. This thesis developed from several aspects: the selection of subject matter、the narrative strategy、the features on movie screens and the aesthetic meaning.In view of the good momentum of development of Our national minorities’film,and the advent of more and more directors of the national minorities, in the third part I selected four directors, detailed studied themselves and their films.更多还原