【作者】 李韵；

【导师】 刘起林；

【作者基本信息】 华南理工大学 ， 美学， 2010， 硕士

【副题名】以赵本山小品、冯小刚贺岁电影和《武林外传》为例

【摘要】 20世纪90年代以来,消费文化逐渐在中国形成。消费文化对人们生活的各个方面俱产生了广泛的影响。在此背景下,中国的幽默作品也具有相应的消费文化特征。通过考察,笔者认为,已有的文献对消费文化背景下幽默审美形态的研究,还限于浅表的现象的总结和归纳,更多的研究者通过研究幽默作品的市场运作机制,来认识这个文化事物的商品化特征。较少有文献表明,幽默审美形态的符号化、娱乐化和消解化体现了消费社会下浮躁、冷漠、抗拒的审美心理;导致了大众尤其是青少年审美水准的低下的状况;阻碍了审美超越以及对人类终极问题的反思。幽默审美形态的符号化、娱乐化和消解化是需要反思和防御的重大问题。本文在消费文化研究理论的基础上,结合90年代以来中国社会的现实状况,分析了受消费文化影响的幽默审美形态形态的审美主体、审美客体以及审美过程的特征和表现,是对现阶段幽默审美形态研究内容的补充。本文在第一章绪论中首先介绍了消费文化的国内外基础理论,并结合消费文化的背景,为幽默审美形态的概念作出归纳和总结。将其与相似概念作出比较,从比较的角度归纳出幽默审美形态的共同规律和特殊含义。第二章分析了赵本山小品中角色与题材的偏向、冯小刚贺岁电影里的消费文化理念、《武林外传》的后现代主义特色。在文章的第三章里面,笔者将消费文化背景下中国幽默审美形态的精神特质,归纳为符号化、娱乐化和消解化。人物形象的符号、作品内容的娱乐和作品意义的消解是整个时代文化的特征,同时也是幽默审美形态的特征。本文在第四章的论述中,认为消费文化背景下幽默审美形态的产生有其具体的社会文化背景。由于商品经济逻辑的渗入、大众传媒路径和底层话语路径的疏通以及国人精神需求的日益丰富,幽默审美形态商品化的倾向严重,由此带来的作品深度的消解。而大众文化时代的到来,宣布了大众传媒路径的疏通,以及底层话语的扩展。国人对“幽默”的需求,促进了幽默艺术的发展和幽默作品的大量涌现。消费文化背景下的幽默审美形态存在着不足。文章的第五章指出:对于幽默审美形态本身而言,存在着艺术魅力的流失与庸俗化的问题;而幽默审美形态“感官快乐”的过分强调则可能导致审美主体理性思考的欠缺;审美过程应有的审美体验,加速发生导致审美超越的中止。第六章提出我们应该客观地看待幽默审美形态在受众眼中的审美差异,应该接受理想型文化和世俗型文化的共生互长,而对于审美形态的美育功能的实现,报以积极和推进的态度。结语部分提出了对幽默审美形态的期待,即应当在消费文化的背景下进行多方面的努力,抵御消费文化对幽默审美形态的消费化、娱乐化的冲击,从而实现自我更新和救赎。更多还原

【Abstract】 Since the 1990s, consumer culture gradually formed in China. Consumer culture to people all aspects of life of all. In this context, the Chinese humor works also has the corresponding consumption culture characteristics. Through the investigation, the author thinks that, under the background of consumption culture and aesthetic form of humor studies also limited to the superficial phenomenon, summarizes the research of more humorous works by economic operation mechanism, to recognize this has been commercialization, industrialization of culture. A few studies indicate that humor aesthetic symbol, entertainment and consumption of dispelling reflects social indifference, resist fickleness, under the aesthetic psychology, In the mass especially teenagers aesthetic level is low status, Aesthetic transcendence is hampering the ultimate questions of human and reflection. Humor aesthetic symbol, recreation and resolution is to reflect and defense. Based on the theory of consumer culture research, on the basis of the Chinese society since the 1990s, the analysis of the influence of consumer culture humor aesthetics ideology, aesthetic object and aesthetic characteristics and performance of aesthetics, is to present the aesthetic form research contents of humor.This paper introduces the basic theories of domestic consumption culture, and cultural background, consumption concept of aesthetic form for humor made summarized in the paper. In the skit is analyzed with the subject role benshan feng, the new movie to the consumer culture idea, TKS "of post-modernism characteristics. Also the concept of aesthetic form humorous, making comparison with similar concepts, from the Angle of comparison of aesthetics induces humor common laws and special meanings.In part two of this article, the author consumption culture background of China will be the spiritual qualities of humor, symbolic, recreation and for digestion. The characters of symbols, work content and significance of dispelling entertainment is the era of culture, but also the aesthetic characteristics of the morphological characteristics of humor.Based on the chapter 4 in the context of consumer culture, aesthetic form humorous with its specific social and cultural background. Due to the commodity economy logic of infiltration, mass media discourse path path and the bottom of the spiritual demand and compatriots dredge the increasingly rich aesthetic form, humorous, the commercialization of serious tendency towards the depth of the works. But the arrival of the era of mass culture, announced the mass media, and the bottom of the path of the words. The "humorous" demand, promoting the development of art and humor humor required.this works. Consumer culture background of humor aesthetics exist deficiencies. The chapter 5 for humor aesthetic form itself exists, the loss of artistic charm and vulgar problem, And humor aesthetics "sensual pleasures" emphasize aesthetic subject may cause the lack of rational thinking, The process of aesthetic esthetic experience, accelerate due to suspension of aesthetic transcendence occurred. Thus affecting the aesthetic education function.The chapter 6 put forward "humor works should make aesthetic form". Think to excavate and refining of works of art is aesthetic characteristics, its inner potential and actively participate in the leading life attitude construction, with positive attitude is not ideal situation, can achieve the culture, aesthetic ideal of humor works to the height of aesthetics.The proposed to the humor of aesthetics, which should be in the context of consumer culture, many efforts against consumption culture of humor aesthetic entertainment and consumption, so as to realize the impact of self-renewal and redemption.更多还原