【作者】 李秋晨；

【导师】 王建科；

【作者基本信息】 陕西理工学院 ， 中国古代文学， 2010， 硕士

【摘要】 根据元杂剧作家地域的不同,我们可以将其划分为几个区域作家群,如大都作家群、杭州作家群、山东作家群等。本论文以元代山东杂剧为中心,以地域文化、文史互证的方法与视角,对元代山东杂剧进行全方位的观照与研究。论文分为四个部分进行论述。第一部分,根据《录鬼簿》、《录鬼簿续编》、《太和正音谱》等文献的记载,元代山东共出现了12位杂剧作家,产生了80余部作品。本文考证了这些作家的籍贯:他们分属于东平路、济南路、益都路、潘阳路和曹州路等。第二部分,根据《元史》、《山东通志》等考察元代山东的经济、政治、社会情况。悠久的歌舞戏曲历史、众多的创作者和传播者、热情的消费者以及地方官员的大力支持是元代山东杂剧兴盛的原因。第三部分,元代山东杂剧题材丰富,水浒戏、爱情戏、历史戏、伦理戏和神仙道化剧演绎着元代山东杂剧的繁荣辉煌。不同题材的作品塑造了不同的人物形象,反应了作者不同的文化思索。水浒戏的盛行与山东侠义文化有着密切的关联;情爱戏歌颂爱情,赞美婚姻自由;历史戏表达了剧作家对于历史和人生的思考与感悟;伦理戏展现了剧作家对中国传统文化之血缘亲情和家业传承的深深思考;神仙道化剧则表达了作者对于黑暗社会的批判和对仙界美好生活的向往。第四部分,元代山东杂剧与山东的地域文化血脉相连,山东地区独特的地理环境、人文环境包括儒家文化和道教文化都对元代山东杂剧产生了广泛而又深刻的影响。更多还原

【Abstract】 According to the different areas where different writers lived, we can divide these writers into different groups, for example Da Du-writer-groups, Hang Zhou-writer-groups, Shan Dong-writer-groups and so on. The purpose of this article is to make an area-study on Yuan drama, and the chosen area is Shandong. This article can be divided into four parts.In the first part, according the records of Recording Ghost, Supplement for Recording Ghost and Tai He Zheng Yin Pu, the were 12 drama writers in Shandong in Yuan, and they left more than 80 dramas. This article researched the birthplaces of them, and listed them in different areas, including Dongping Lu, Jinan Lu, Yidu Lu, Panyang Lu and Caozhou Lu.In the second part, According to The history of Yuan dynasty, and Shandong Tongzhi, I investigated the economic condition and political condition, and analyzed the reasons for the bloom of Shandong dramas in Yuan, that is long history of drama, lots of creators, evangelists and consumers and the conductors’support.In the third part, the Shan Dong drama in Yuan had various kinds of themes, which were Shuihu drama, love drama, historical drama, ethics drama and myth drama, and these themes showed the boom of Shandong dramas in Yuan. Different characters were shaped in different themes, in which the writers’opinions about the society’s culture were contained. The popularity of he Shuihu dramas had a close relationship with chivalric culture of Shandong; love dramas praised true love and freedom of marriage; historical dramas expressed writers’thinking about history and life; ethics dramas expressed writers’thinking about traditional Chinese culture including consanguinity and the inheritance of family property; myth dramas expressed writers’criticism to the absurd society and hope of the happy life in the heaven.In the fourth part, Shandong dramas in Yuan were combined with the culture of Shandong area. Particular geography environment and human environment, including Confucianism and Taoist culture had large influence on Shandong dramas in Yuan dynasty.更多还原