【作者】 刘雅新；

【导师】 邓希路； 黄虹；

【作者基本信息】 星海音乐学院 ， 音乐学， 2009， 硕士

【摘要】 理查·施特劳斯(Richard Strauss,1864-1949),德国著名的指挥家、作曲家。身为作曲家的施特劳斯,一生创作了大量艺术歌曲、交响诗和歌剧。其中,艺术歌曲的创作贯穿了作曲家的一生。本论文以理查·施特劳斯《最后四首歌》为研究对象,通过对这部作品音乐文本的解读,不仅考察作曲家个性化的创作技法、风格和观念。与此同时,也试图结合上歌词内容及该作品产生时的历史背景、文化思潮,从而进一步对作品所蕴含的精神内涵进行深入的探究。本论文的主体共由三个部分组成:第一章主要对施特劳斯的艺术歌曲创作情况及《最后四首歌》的创作过程作简单的概述;第二章着眼于《最后四首歌》的音乐技术形态分析,当中包括歌曲结构、旋律、和声等方面。通过归纳、比较的方式,从中找出作曲家极具个性化的作曲手法;第三章则是在音响感知与理性分析的基础上,对《最后四首歌》的精神意蕴进行探究,其中,还包含关于施特劳斯晚年精神状态的分析。更多还原

【Abstract】 Richard Strauss (1864-1949), was a famous German conductor and composer. As a composer, Strauss is remembered especially for his Lieder (art songs), symphonic poems and operas, among which his work on Lieder span most of his life.This thesis focuses on Richard Strauss’s‘Four Last Songs’, and investigates Strauss’s characterized composing techniques, as well as his own musical style and ideas, based on an analysis of the songs. In addition, the thesis also probes into the connotation of these works by putting the lyrics in the historical and cultural context of the time when they were composed.The thesis is mainly comprises three chapters, beginning with and introduction to‘Four last songs’and why Strauss chosen to compose for the poems written by Eichendorff and Hesse. In Chapter 2, the thesis makes an analysis and summarization in the structure of the songs, melody, harmonic progression and some musical features. Then in Chapter 3, the thesis probes into the connotations of the‘Four last Songs’on the basis of acoustic perception and rational analysis including an analysis on Richard Strauss’s mental state in his final years.更多还原