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欧洲文艺复兴时期绘画中的女性形象

【作者】 张晖

【导师】 张炀;

【作者基本信息】 曲阜师范大学 , 艺术学, 2010, 硕士

【摘要】 绘画作品中对女性形象的表现渊源已久,其外在形式与精神内涵随着时代而变迁,到文艺复兴时期更是得到了极大发展。本论文将从绘画作品中的女性形象这一新的视角着手,将绘画中女性形象的外在形式、精神内涵与时代背景、阶级文化差异等相结合进行考察,目的在于更全面的探究和把握欧洲文艺复兴时期的艺术风格及审美观念。这篇文章主要是用了图像学和美术史学的方法进行研究。本论文首先从美术史的角度对绘画中的女性形象进行梳理,了解它的历史情形,同时阐述女性形象这一题材在绘画中的重要作用及女性被动的社会地位,使不同时期女性形象问题的来龙去脉清晰的显现出来,分析和探究西方古典审美法则,以确立本文的研究方向和选题意义,讨论和研究时代变迁、历史、文化等因素对审美法则及艺术风格的影响,及其各个时代的艺术特点。本论文的第三章将前两章所围绕的两条线索进行综合整理,围绕历史因素、社会环境、时代精神、审美观念及宗教、政治、民族、文化等因素对文艺复兴时期以女性形象为题材的绘画作品进行全面的比较与分析,阐述对艺术家的影响以及绘画作品中女性形象对审美法则及艺术风格的体现。任何一个时代的绘画作品,都充满艺术家对思想和审美观念的表达,女性形象作为承载审美理想的载体,在绘画中占有重要的地位和作用,本论文的结语部分阐述了从女性形象这一新的视角对文艺复兴时期艺术的重新审视所带给我们的思考与启示,并对绘画作品中女性形象的研究空间做了说明与展望。

【Abstract】 The embodiment of the feminine image has undergone a long history.Though its outside form and spirit connotation change a lot with the time, it welcomes its booming period until the Renaissance.Researching its outside form,spirit connotation, time background and rank culture difference, this thesis lays emphasis on the new viewpoint of feminine image in order to explore and master the art style and aesthetic concept of the Renaissance perfectly.This whole thesis adopts the graph picture and the historiography as the researching methods.First, this thesis combs with the feminine image of the pictures from the angle of arts history. By understanding its history situation, explaining the important role of the feminine image, embodying the ins and outs of the feminine image in different periods, it makes sure the researching direction and the significance of the project selection. Second, it analysis and explores the western classic aesthetic principle.This chapter discusses and researches the arts traits of different ages and the impacts that the time, history, culture and other factors shows to the aesthetic principle and arts style.The third chapter combs with the former two clues. Discussing the influence of the history factor, social circumstance, time spirit, aesthetic concept, religion, politics, nation and culture factors, this chapter compares and explores the feminine images underlying in the masterpiece of the Renaissance.Meanwhile, it also demonstrates the impacts on the artists and embodiment of the aesthetic principle and arts style.Every times owns its pictorial representation and they usually demonstrate the artists’ thoughts and aesthetic concept. As the carrier of the aesthetic ideal, the feminine image plays a significant role in the drawing field.The conclusion of this thesis demonstrates the reflection and inspiration which the feminine image of the Renaissance brings to us and takes a glance into the future of this researching field.

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