【作者】 郭云星；

【导师】 曾智安；

【作者基本信息】 河北师范大学 ， 中国古代文学， 2010， 硕士

【摘要】 中古时期胡乐涌入中原,对中原的音乐体系、社会生活乃至传统文化都产生了重要影响。这种影响也渗透到了中古时期的诗歌创作。本文即是选取笳这一较有代表性的少数民族乐器,以笳在音乐中的具体运用方式及其进入诗歌的途径为切入点,探讨笳作为一种异族乐器进入中古诗歌中的过程,揭示其在音乐中的运用方式与演奏风格是如何引起诗歌在艺术创作、情感抒发、意象塑造等层面发生了一系列的变化。本文分为四章。第一章,主要探讨“鸣笳启路”与中古应制诗的关系。笳作为出行仪仗乐卤簿鼓吹中的必备乐器,因卤簿鼓吹而进入到诗歌中,尤其是臣子奉和帝王、王公所作的应制诗中。并指向“鸣笳启路”这一固定意义,变成一个彰显帝王、王公等贵族身份、地位的象征符号,成为应制诗中表现帝王、王公等贵族显贵身份的一种写作手段。第二章,探讨笳与中古挽歌的关系。因丧葬仪式的关系,笳与挽歌密切关联了起来,由此进入到中古挽歌,主要是唐代挽歌中。笳以其声音的悲切、音调的哀婉,对挽歌中哀境的营建以及哀情的抒发都产生了一定的促进作用。第三章,主要探讨胡笳与中古边塞诗的关系。胡笳因其原为异族乐器,且亦是军乐(鼓吹、横吹)中主要吹奏乐器的关系,进入到了中古边塞诗中。因其本身所具有的异域特点,“胡笳”逐渐演变为一个意象符号,成为胡地、边塞的象征。且常与塞北的明月、边马等意象共同组成边地所特有的景象,表现或悲壮、或愁怨、或思乡、或离别的情感内涵,形成了一些与边塞相关的固定表达手法。第四章,探讨古琴“胡笳”曲与中古诗歌创作的关系。随着胡笳这一乐器的广泛流传,出现了以琴来模拟胡笳声的“胡笳”琴曲。“胡笳”曲的流传与兴盛,对中古时期文人诗歌创作以及“胡笳”这一语符意义都产生了一定的影响。其中演绎“昭君出塞”的《胡笳明君》曲与谱写“文姬归汉”的《胡笳十八拍》的传播使得“胡笳”这一语符不仅是胡地、边塞的象征,更与昭君、文姬两人的悲剧命运紧密相连,承载了对其不幸际遇的哀怨之情。更多还原

【Abstract】 After its introduction to Central Plains, Non-han music produced a great impact on local music system, social life and even traditional culture. And this impact has also penetrated into the creation of medieval poetry. This paper selects Jia as a topic, which is representative of minority instruments. Its specific usage in music and means of access to poetry are taken as the starting point to explore the access of an ethnic instrument into the medieval poetry, and to reveal how its usage in music and playing style caused a change in the creature of poetry in the following dimensions: creation of art, expression of emotion, shape of imagery and so on.This article is divided into four chapters.The first chapter mainly discusses the relationship between "moving aside in hearing Jia" and the Medieval Yizhi poetry. As a necessary instrument of LuBu Guchui (the music of honor guard) in ceremonial trips, Jia was involved in poetry. Pointed to the fixed meaning moving aside in hearing Jia", the Yizhi poetry, which are created by kings and princes, became a symbol for honor and then are used to show esteem to them.The second chapter explores the relationship between Jia and Medieval Elegy. Jia was closely linked up with elegy as a result of the funeral ceremony. And entered into Medieval Elegy, mainly in the elegy of Tang Dynasty.With its mournful sound and tune, Jia helped produce a mournful environment and express emotions.The third chapter focuses on the relationship between Hujia and Mediaeval Frontier Poetry. Hujia was originally an alien instrument, as a major instrument in martial music made it associated with frontiers and army, and then was involved in the Medieval Frontier poetry. Inherent in its exotic features, "Hujia" gradually evolved into a symbolic image as a symbol of border land, and was often associated with images, such as the moon, the horses, making up a unique scene of the frontiers. It can express emotions of tragic, complaints, homesickness, parting etc, formed a number of fixed expression associated with the frontiers.The fourth chapter explores the relationship between Guqin Hujia tune and the creation of mediaeval poetry. The spread and flourish of Hujia tune produced certain influence on the literature creation and the symbolic meaning of Hujia. "Hujia Mingjun tune"described Zhaojun who went beyond the border and "hujia eighteen meters" described Wen-ji’s captivity and return. The spread of the two not only makes hujia a symbol of border land, but also closely relates it with the tragic fate of Zhaojun and Wenji assuming the moans their misfortunes.更多还原