【作者】 曾明；

【导师】 李琰君；

【作者基本信息】 西安理工大学 ， 设计艺术学， 2010， 硕士

【摘要】 秦汉时期的漆器艺术被称为漆艺史中的“黄金时期”,从漆器的影响力、艺术成就、工艺制作水平及对日常生活的覆盖面等诸方面看,它无疑在我国古代漆艺史中占据了最辉煌、最重要的位置。秦汉时期的漆器艺术作为我国优秀的传统文化遗产和艺术珍宝,为中华文化的传承与传播发挥过巨大的作用。秦汉时期的甘肃、宁夏处于古“丝绸之路”必经之地、锁匙之地和核心路段,在这里曾经遗留下大量的漆器实物及铭文文字资料,并以其应有尽有的品类、精美华丽的装饰、轻巧精致的造型著称于世。在中国漆工艺史上写下了光彩熠熠的篇章,同时也为研究中国工艺美术史提供了不可多得的宝贵资料。本文研究的对象是以秦汉时期甘肃、宁夏的漆器艺术为核心,论述的着力点在秦汉时期甘肃、宁夏漆器艺术的装饰特色。首先,对秦汉时期甘肃、宁夏漆器艺术产生的背景做了较全面的论述,其中包括秦汉时期的民风民俗、经济状况,以及秦汉时期的科学技术,秦汉时期甘肃、宁夏的历史、地理背景等。其次,对秦汉时期甘肃、宁夏漆器的器类及器型做了介绍,从使用功能上将其分为三大类。再次,重点论述了秦汉时期甘肃、宁夏漆器艺术的装饰特色,对秦汉时期甘肃、宁夏漆器艺术的装饰题材、纹饰类型、表现形式、装饰手法、装饰色彩进行归纳分析,从而归纳剖析其漆器艺术装饰风格的独有特征。最后,通过对秦汉时期甘肃、宁夏漆器艺术文化内涵的研究,得出其漆器艺术是楚文化、儒道思想等多重因素、多种文化共同的结晶体的结论。通过对秦汉时期的甘肃、宁夏漆器艺术的研究,得出其漆器首先是出于使用目的而设计的结论,实用的功能性位于造物设计考虑的首位；其漆器的器型设计圆融通贯、安定和谐,既实用又美观；其漆器的图案简练、色彩强烈,装饰纹样神秘浪漫、飞扬流动,深受儒道思想、楚巫文化的影响；其漆器设计制作紧密结合生活,实现了应用与艺术趣味的完美结合。它融实用性、艺术性于一体,对现代社会的艺术设计理念和风格具有极强的借鉴参考价值。更多还原

【Abstract】 Lacquer art was known as the "golden period" of the lacquer history in Qin and Han Dynasty. From the influence of lacquer, artistic achievement, craft production level and the coverage of daily life etc., it is no doubt that the lacquer played the most important role in the history of ancient China. The lacquer art of Qin and Han Dynasty were considered as outstanding traditional art in China, and played a huge positive impact on the transmission and dissemination of Chinese culture. During tne Qin and Han period, Gansu and Ningxia were the stronghold in the ancient Silk Road. There were a large number of lacquer which had been left with words and physical information, and the places were famous for its various category, beautiful ornate decoration, lightweight and elegant shape.This study focused on discussing the lacquar art of Gansu, Ningxia areas during ancient Qin and Han dynasties, pointing to the style and features on decoration in the period. Lacquer art was rooted in Chinese long traditional history, fullfilling with strong Chinese characteristics, containing deep theory on aesthetics. Through the study, Chinese traditional culture will be transmitted and the patriotic spirit will be inspired. Meanwhile, it is positive to enhance self-confidence and national pride of our nation.First of all, this paper does a comprehensive overview to the background of lacquer’s production in Gansu, Ningxia areas during the ancient Qin and Han dynasties, which includes the background on history and geography, social thought, science and technology in that period. Besides, the paper discusses the original reason of the popularity of lacquar in the time.Secondly, this paper presents the type and shape of lacquer in the period and they are divided into three categories from the use of functions. Combined with the analysis of the regional lacquer which have been unearthed during this period, the study about the article feature will be deeper.The last but not the least, this paper focuses on the style and features on decoration in the period. Based on the regional lacquer unearthed in the areas, the paper analyzes the unique characteristics of lacquer Art, including decorative themes, types, forms, techniques and colors from the design studies, design arts and modeling semantics.Finally, through the study, the paper reaches a conclusion that the lacquer art is a kind of co-crystal of various cases of, and other multiple cultural factors. What’s more, it notes that the lacquer art of Gansu, Ningxia in Qin and Han dynasties was influenced by Confucianism, Taoism and Chu culture. Its design pay more attention to the practicability, focusing on functional objects, while embodies the charm of Chu culture. The design has a close connection with life, and it has achieved the perfect combination of practicability and article taste.更多还原