【作者】 石萍；

【导师】 景蔚岗；

【作者基本信息】 湖南师范大学 ， 音乐学， 2010， 硕士

【摘要】 湘中属于古时的梅山地区,傩也称为梅山傩。梅山傩的功能与其他地区尚为相似,但它包含的文化却是独特的,它源于古三苗部落,拥有的历史不少于四千五百年。作为苗、瑶族群发源地之一的梅山,其傩文化与苗、瑶傩文化又有着千丝万缕的联系。由于古梅山地域广阔,受到地理位置与传承派别以及外来因素的影响,梅山傩又产生了众多分支。新化县广阐宫属于师道两教合一的傩坛,传承有五代之久。本文详细介绍了其班社的传承情况,阐释了广阐宫傩仪的社会功能和文化意义。并对其仪式举行的过程进行了详细记录,认为广阐宫傩仪是一种对本地神灵的崇拜,与其他中原地区的傩仪有所不同。文中将其与道教仪式进行比较分析,通过不同的文化背景,思想环境产生出两种不同的仪式风格与音乐。本文从音乐学、历史学、民俗学、人类学等多学科理论出发,介绍了整个仪式中所出现的音乐类型,重点分析了傩戏音乐与道教音乐。同时,结合傩戏的生存环境,详细阐述了广阐宫傩戏的剧目、人物情况及文化意义,从调式、音阶、节奏节拍、旋律及歌词等方面分析了其音乐的特点。傩戏中主要使用地方民间音乐,以及少量的佛歌。佛歌是作为戏剧表演时,剧情需要而穿插进来的。道教音乐则是在前部分的法事中使用,傩戏中不再出现。为了确保通过调查能得到客观、准确的第一手资料,本人多次走访田野,与当地人建立良好的关系,对当地傩仪式的活动过程、内容、音乐进行调查记录,收集了一定的音响与图片资料,并做好分析、整理的后续工作。更多还原

【Abstract】 The middle part of Hunan province belonged to Mieshan area in ancient times, so Nuo(a kind of provincial drama featuring masked dancing to exorcise demons)is also called Meishan Nuo. The function of Meishan Nuo is similar to that of other areas, yet its culture is unique. It originated from the ancient Miao tribe, has a history of 4500 years. The ancient Meishan was the original living place of Miao and Yao tribe, so Nuo culture has a deep relation with their cultures. Under the influence of the different denominations and exterior factors from the vast Meishan area, Meishan Nuo has developed a number of branches.Guangchan sect in Xinhua county is a kind of Nuo which combines Shigong folk religion with Taoism. It has been inherited for five generations. This thesis will introduce its development and its social and cultural meanings. This thesis also keeps a detailed record of its recital ceremony and concludes that Guangchan sect worships the native gods, which clearly illustrates its difference from the Nuo-rite in central plains of China. Its stylish and musical distinctions with Taoism will also show up through comparison with the Taoism ritual ceremony in the thesis.The thesis introduces all kinds of musical types appearing in the whole ritual especially Taoism music and Nuo Opera from the multidisciplinary perspective of musicology, history, folklore and anthropology. Meanwhile, it elaborates the characters and cultural meaning of Guangchan sect as well as analyzes its musical characteristics in terms of the mode, scale, rhythm, melody and lyrics of the music. The local music is mainly played in the Nuo Opera and Buddhism music is also inserted if the plot needs it. However, Taoism music which often is played at the beginning of the ritual seldom appears in the Nuo Opera.In order to get the impersonal and exact first hand information, the author paid many visits to local people and built a good relationship with them, which enabled the author recorded the procedures, contents and music Guangchan sect of Nuo-rite. The author also collected some audio and photo materials as the basis of her subsequent analysis and rearrangement.更多还原