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现实生活的一面镜子

After Explaining 60, Chinese Feminine Oils Painter Creative Idea Transformation

【作者】 谢晓璐

【导师】 付念屏;

【作者基本信息】 西南大学 , 美术学, 2010, 硕士

【副题名】解读喻红、申玲、闫平等中国当代女性油画家的创作观念

【摘要】 在中国当代艺术呈现多元化发展的今天,女性油画家的创作日益突出,成为一个不可忽视的群体。虽然才刚刚起步,但她们的作品已经凸显出一种个性化的品格特征。本文以中国五六十年代出生的女性油画家为例,她们在民族文化固有模式的基础上,以各自的生活环境为创作的主要内容,汲取了西方女性绘画艺术的某些观念,脱离传统话语模式,在不断的生活实践中从表现自我到超越自我,进而超越传统思想的束缚,形成了当代女性油画家所特有的创作观念和表现方式。喻红的“单纯”,申玲的“自我观照”,闫平的“母子”等,都是女画家们在经历生活的历练之后,用绘画的方式把她们独特的“思想观念”提纯,进而带给我们一种摆脱传统的约束,重新审视平淡生活的语态。本文将二十世纪五六十年代出生、活跃在当下的中国当代女性油画家的创作观念,以及影响其观念形成的原因引入到我们关注的视野中。以喻红、申玲、闫平等三位女性油画家为例,通过分析她们的生活背景及个人的性格特征,从而思考影响她们创作观念形成的各种因素。本文第一章将以时间的排序对中国近、现、当代女性所涉及到艺术文化领域的事件作以简单的表诉和归纳;第二章是以大的时代文化背景为切入点,进一步探究中国当代女性油画家独特的创作观念形成的原因。我把第三章作为本篇论文的重点篇章来写,针对当代三位女性油画家的个案分析,从而对其独特的创作观念达到解读的目的。结论篇章,通过对上述三章的分析,总结女性绘画对我国的绘画艺术做出的贡献以及与男性画家在某些方面的相互影响。本文采用图像分析、比较、归纳、文献等方法,结合教育社会学、艺术心理学、美术鉴赏、油画技法表现等相关知识,以图像分析为主线,典型案例为聚焦,对50、60后的中国女性油画家的创作观念加以分析,以达到解读的目的。

【Abstract】 Is diversified in the development of Chinese contemporary art today, the creation of women painters have become increasingly prominent, as a group can not be ignored. Although only just started, but their work has highlighted a personalized character features. In this paper, five Chinese women born in the sixties oil painter, for example, they are inherent in the national culture based on a model to their own living environment for the creation of the main content, learned the art of painting some of the Western concept of women, from the traditional discourse model, continues the practice of life to better ourselves from self-expression, and thus transcend the shackles of traditional thinking. Thereby creating a unique contemporary women painters creative ideas and expressions. Yu Hong’s "simple", Shen Ling’s "self-examination", Yan Ping’s "mother" are all female artists living in the experience of life experiences, the manner of painting them with a unique "ideas" purification, and then give us a break away from traditional constraints, to re-examine the ordinary life of the voiceThis will be born in the fifties or sixties the twentieth century, active in the present contemporary female painters creative ideas, and concepts affecting the formation of the reasons for its introduction to the vision of our attention. Yi Yu Hong, Shen Ling, Yan ping three women painters, for example, by analyzing the background of their lives and personal character traits, affect their creative ideas to think the formation of various factors. The first chapter will be sort of time near China, is, contemporary women involved in the field of arts and culture events for a simple complaint and summarized tables; second chapter is a great cultural background as the starting point for further exploration in China contemporary women painters created a unique concept of the Causes. ChapterⅠof this thesis as a chapter to write, for the three women painters of contemporary case study of creative ideas to achieve their unique interpretation purposes. Conclusion chapter, through the analysis of these three chapters, drawing on our summary of women’s contribution as well as painting and male artists in certain aspects of interaction In this paper, image analysis, comparison, induction, literature and other methods, combined with education, sociology, psychology, arts, art appreciation, painting techniques and other performance-related knowledge to the image of the main line, a typical case for the focus on China after 50,60 Women painters of the creative concept to analyze in order to achieve the purpose of interpretation

  • 【网络出版投稿人】 西南大学
  • 【网络出版年期】2010年 11期
  • 【分类号】J213
  • 【下载频次】245
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