【作者】 吴晓玲；

【导师】 张文川；

【作者基本信息】 河北大学 ， 音乐学， 2008， 硕士

【摘要】 “东路二人台”是一个融民歌、舞蹈、民间丝竹乐、曲艺、戏曲为一体的多元化的综合艺术。东路二人台产生发展区域为内蒙古乌兰察布盟部分地区,河北省张家口的坝上一带,是这一地区的稀有剧种,因与内蒙古自治区呼和浩特以西流行的二人台有许多区别,故称东路二人台。东路二人台的形成,凝聚着人们走西口的历史情缘,是与人民群众生活息息相关的蒙汉民族文化艺术结晶。流传百余年来,该剧种积淀了深厚的文化底蕴,深受广大群众的喜爱。本文从唱腔、念白、舞蹈等方面对东路二人台独具魅力的表演进行研究,从中总结其发展规律,探索东路二人台在发展过程中的经验。对东路二人台目前尚存问题以及对其改革与发展提出了个人见解。本文对东路二人台的表演特征进行研究,下分三个分论点：第一,东路二人台的唱腔的歌唱特征。从东路二人台的唱腔来源于本地民歌和外来民歌的融合,属于不太规范化的曲牌联缀体形式；东路二人台的唱法包括呼吸、共鸣、咬字、吐字等；以及东路二人台的行腔几个方面,运用大量的例证进行论述。第二,东路二人台的语言特征。运用比较法论述了东路二人台的流行区域方言特征及念白的特征。第三,东路二人台的舞蹈表演。东路二人台的舞蹈源于生活,并借鉴了戏曲表演的有益成分。从表演动作、步法、表演道具等几方面对东路二人台的舞蹈作了详细地阐述。结论部分总结各个分论点并且对东路二人台的未来发展作出展望。本文主要运用了比较研究法和例证法紧紧围绕东路二人台的“眉飞色舞”的表演特征,以审美为核心,进一步挖掘东路二人台独特的艺术风格和鲜明的地域特色。更多还原

【Abstract】 The Song-and-Dance Duet of Donglu is synthetical art containing folk songs, dance, the folk and national sizhu music, story-telling and traditional opera. It generated and developed in the part of Ulaan Chabu of inner Mongolia and Bashang area of Zhangjiakou and was rare opera. Because it has much difference from ones in the west of Huhhot in nner Mongolia, it is called the song-and-dance duet in Donglu. Its generatation condensed a lot of history, being the crystallization of chinese-mongolian national culture art. Spreading more than 100 years, it accumulated rich culture and is loved by a lot of people. Based on aria, spoken parts of a Chinese oprea and dance, the paper studies distinguishing performance of song-and-dance duet in Donglu and summarizes the development law and explores the experience in the development course.The paper proposes personal opnions about the problems, reform and development. The paper study the performing characteristics from three aspects, which is as following:First:song features of aria. Aria of Song-and-Dance Duet of Donglu is mixture of folk and exotic songs and is not standardized in the aspect of qupai.The singing methods of the Song-and-Dance Duet of Donglu contains breath, resonance, articulation and enunciation. Discuss with plenty of citation about the singing methods of the Song-and-Dance Duet of DongluSecond:The monologe features. Using comparision methods, the paper discuss dialects’features and the monologe features in the prevalenant region.Third:Dancing features. Its dance comes from life, making use of beneficial components in the traditional opera perfoming. Discussed detailedly on the dance from the action, step method and props.The conclusion summarized each separate argument and prospect its futural development Centralizng the characteristic of brow flying and face dancing, this essay mainly use comparision and citation to exploit it’s unique artistic style and distinct regional characteristic features with aesthetics being as the core.更多还原