【作者】 刘小飞；

【导师】 曹春生；

【作者基本信息】 景德镇陶瓷学院 ， 美术学， 2009， 硕士

【摘要】 彩塑艺术数千年来在中国雕塑艺术造型语汇的历史演绎中,结合艺术的本体语言不断的创新、发展、变化。它是中国民族精神力量的体现,高度智慧与卓越艺术创作才能的结晶。那些巨型的佛教彩塑,通过捏塑和赋彩显现出人物的风韵神采,使静止的塑像成为有生命的凝眸欲语的真实造像,庄重典雅、造型完美,令人叹为观止。不仅让人们领略了中国彩塑的独特风采,而且在世界史上有着特出的地位。彩塑作为表达造型艺术与视觉艺术的语言,是多种构成要素的有机组合。中国古代视彩塑为宗教偶像而尊崇,鉴赏其艺术特征则始终作为虔诚信仰之附属而隐多于显:雕塑家被视作工匠,雕塑艺术则与模仿、经验、手工劳技等量齐观。当人们日益深刻地感受到彩塑艺术穿越时空、透射心灵的辐射力和震撼力时,我们需要解读古代彩塑艺术的构成,方能获知彩塑艺术魅力之源泉。更多还原

【Abstract】 Painted sculpture art for several thousand years in China statuary art modelling vocabulary historical deduction, union art main body language unceasing innovation, development, change. It is China national spirit strength manifestation, highly the wisdom and the remarkable artistic creation can crystallization. These giant Buddhism painted sculpture, through molds clay figurines and bestows on the color to appear character’s graceful bearing appearance, causes static to make an idol into has the life to fix one’s gaze on wants the language the real statuary, grave elegant, the modelling is perfect, makes one praise to the heavens. Not only let the people understand the Chinese painted sculpture unique elegant demeanor, and has the prominent status in the universal history.The painted sculpture as the expression plastic arts and visual arts’ language, is the many kinds of integrant part organic combination. China ancient times regarded the painted sculpture to venerate for the religious idol, appreciates its artistic characteristic throughout to take the reverent belief attached and hidden is more than obviously: The sculptor is regarded as the artisan, the statuary art with the imitation, the experience, manual Lao Ji equates. When the people feel profoundly day by day the painted sculpture art traversing space and time, the transmission mind’s radiating power and shocks the strength, we need to explain ancient times the painted sculpture art constitution, Fang Neng learn fountainhead of the painted sculpture artistic charm.更多还原