由材料介入—关于“岩彩画”现象的美学思考

【作者】 陈晋；

【导师】 刘亚平； 姚尔畅；

【作者基本信息】 上海师范大学 ， 美术学， 2009， 硕士

【摘要】 “岩彩画”现象的出现以及对其称谓的争议实质上是当今画家们对于绘画材料语言重要性的重新认识和反映。无论是岩彩画、水墨画、油画和版画等单一画种,还是综合材料绘画领域,绘画材料技法及其材质语言研究已是当代艺术探索的一个共性课题。我们讨论这个话题的前提是:先不必给自己套上一个什么框框,认定什么是岩彩画,什么不是岩彩画。探讨“岩彩画”现象的核心并不在于通过本文作为准则来判定某类作品应该称作“岩彩画”还是“重彩画”,也不是要讨论必须使用什么材料才能称为“岩彩画”。本文的真正意图在于让我们重新思考绘画材料及技法作为艺术观念载体所具有的真正价值。即如何通过绘画材料的材质语言与画家的艺术观念更好地结合,从而表达自身对于当下社会的体验才是我们真正值得讨论的话题。正确的认识和理解绘画材料的表现特长和审美特征,大胆地尝试各种材料,将有助于把握材料的材质语言及相应的表现方法,并且在不断的艺术创作中逐渐为“岩彩画”确立一个与现代审美意识相适应的和相对稳定的表现形式。也只有走到这一步,岩彩画才会自然而然地具有鲜明的风格与独特艺术形象。更多还原

【Abstract】 The emergence of“YanCai paintings”and disputes are the artist awared to the importance of the techniques of painting materials and language of painting materials. No matter in YanCai paintings, Chinese paintings, oil paintings, prints and other fields of art, materials have been a common topic in contemporary art. We discuss the premise of this topic is: first, do not have to put some barriers from our traditions, and argue with what can be called YanCai paintings or what can’t. To explore the core of this phenomenon does not lie in the adoption of this article as a criterion to determine the particular type of work should be referred to as YanCai paintings or ZhongCai paintings, or to discuss what materials can been used. In this paper, the real intention is to allow us to rethink the painting materials and techniques as the concept of vector, which has a real value. That is, how to through the materials to transfer the artist’s concept better, Integrating of the arts to express the artists own experience for the present society, it is really worthy of discussion about this topic. Awareness the material’s aesthetic features and understanding of correct performance of materials, and boldly try a variety of it, will help to grasp the performance of the corresponding methods, and built up a relatively stable form of expression. Only come to this step, will YanCai paintings naturally have a distinctive artistic style and unique image.更多还原