【作者】 贾瑞华；

【导师】 段从学；

【作者基本信息】 四川师范大学 ， 中国现当代文学， 2009， 硕士

【摘要】 在三四十年代中国现代文坛上,师陀(芦焚)(1910—1988)无疑是一个有着自己独特艺术追求和风格的作家。本文是第一篇通过分析师陀笔下独特的边缘人物形象,来透视和分析其在现代文学史上对独特人物形象的贡献,进而试图对陀研究中流派归属之争和奇特艺术风格之谜提出新的阐释的专论。本文分为两个部分。上篇旨在梳理师陀文学世界里的边缘人物系列。首先,以师陀笔下神秘人物形象为研究起点,以现代文学主流人物长廊为大背景,进而提出问题。其次,细读并分析师陀笔下作品,以界定和辨析这批独特人物的特征,对这批独特的边缘人形象做总体勾勒。在此基础上,最后呈现出由十八篇作品师陀笔下边缘人系列,根据不同特征,在其内部又可分为三类即对大众的反叛者、对反精英的反叛者两大分类和边缘人陈世德,师陀中篇小说《无望村的馆主》中的陈世德是中国现代文学史上独一无二的败家子。下篇旨在分析边缘人物群像言说的缘由,透视小说中这一群体产生的原因,进而阐释边缘人形象的所呈现的独特意义。首先,通过分析微妙对话,即边缘人物——夏侯杞——师陀之间的对话关系,围绕边缘人物形象所组成的开放灵动有序的体系,以透视师陀内在精神世界找到边缘人物存在之谜,即师陀的边缘人生和边缘心态。在此基础上,进一步提出这一系列的边缘人物群像存在的意义。也正是这些人物的存在,使得师陀的艺术价值,既不是京、左两派的总体成就所能覆盖的,甚至也不是鲁迅和沈从文,代表中国现代小说传统所能达到的艺术至高点的大家所能笼罩住和覆盖掉的。从结构上看,上篇是围绕师陀笔下边缘人物形象的提出、界定和系列的澄清这个核心问题来探讨,下篇则是通过分析边缘人物之间以及和师陀之间的微妙对话来透视边缘人物群像言说的缘由,即师陀的边缘人生和边缘心态。进而对师陀研究中相关问题提出新的阐释,以期对陀研究起到一定的推动意义。更多还原

【Abstract】 In 30-40 age Chinese modern literary arena, Shi Tuo (Lu Fen) (1910-1988) is no doubt a writer with the unique art pursue and the style. This paper, through analyzing ShiTuo’s writing unique Marginal images, presents the unique character images contribution in the Chinese modern history of literature, then attempts to give new understandings and explanations on the two critical issues in Shituo’s research, which are the arguments on ShiTuo’s school ownership and the unusual artistic style.This paper divides into two parts. Previous part is for the purpose of combing the marginal image series in ShiTuo’s literature world. First, taking ShiTuo’s writing mystical character image as the research beginning, taking the modern literature mainstream character corridor as the big background, presents the question. Next, through attentively reading and analyzing ShiTuo’s all works, limiting and discriminating this group of unique characters’ characteristic, outlines the overall of the unique marginal image series. Based on this, finally presents the marginal image series belonging to 18 works of ShiTuo writing. According to the different characteristic, may divide into three kinds in its interior namely to populace’s rebel, to the counter-outstanding person’s rebel two big classifications and the marginal image Chen Shide, the leading character in ShiTuo’s novelette "Hopeless Village Hall Main" who is the the unique image black sheep of the family in Chinese modern history of literature. The second part of this thesis aims for analyzing the causes of the unique marginal image series, then explains the unique significance which the unique marginal image series present. First, through analyzing the special subtle dialog, namely dialog relations between the marginal images - - Xiahou Qi - - ShiTuo. According to the opening nimble and resourceful order system which composes the unique marginal image series, found the mysterious existence by exploring ShiTuo intrinsic inner world, namely Shi Tuo’s edge life and the edge point of view. Based on this, further proposes this a series of borderline person group portrait existence significance. It is also precisely these character’s existence, causes Shi Tuo the unique artistic value, which makes ShiTuo can not be covered neither by the achievement of JingPai nor the achievement of the left, even is not Lu Xun and Shen Congwen, both who represent the super master in Chinese modern novel tradition can achieve and cover.Structurally speaking, the previous part of this thesis is to revolve clarify and outline ShiTuo’s the unique marginal image series this core question to discuss. The second part aims to found the mysterious existence by exploring ShiTuo intrinsic inner world, namely Shi Tuo’s edge life and the edge point of view, through analyzing the special subtle dialog relations between the marginal images - - Xiahou Qi - - ShiTuo, then attempts to give new understandings and explanations on the two critical issues in Shituo’s research, which are the arguments on ShiTuo’s the school ownership and the unusual artistic style, expecting to impetus ShiTuo’s research.更多还原