论观念摄影的符号学特征

【作者】 尚冠卫；

【导师】 陈琦；

【作者基本信息】 南京艺术学院 ， 广播电视艺术学， 2009， 硕士

【摘要】 今天,随着数字技术的普及和人文思想的进一步发展,观念摄影有了前所未有的发展契机,作为观念艺术的一种重要形式,表现出了独特的艺术魅力。但是,观念摄影作为一种新的摄影形式,从创作到解读都与传统摄影有着很大的差别,人们对它的认识程度相对较浅,多数还处于实验探索阶段,所以今天的观念摄影,必然要存在着很多问题。对此,如果我们依然用传统摄影理论去对待观念摄影,显然是不合适的,我们需要寻找一套更适合于它的理论方法。鉴于此,本文尝试着把符号学基本原理引入到观念摄影中,借以发现观念摄影中符号学的基本特征,用符号学的基本方法去解决观念摄影创作中存在的普遍性问题,同时也给观念摄影的解读提出一些指导性建议。笔者在研究过程中,体会到了符号学对观念摄影具有的重要理论价值和使用价值,其方法具有很强的适用性。更多还原

【Abstract】 Along with the popularization of the digital technique and the development of the humanistic ideas, Conceptual Photography has met an unprecedented opportunity, as one of the Conceptual Art, shown unique artistic charm. But as a new artistic form, Conceptual Photography makes a great deal of difference to Traditional Photography, people know it less relatively and most people still stay experimental stage, so Conceptual Photography faces many problems at present. To these problems, it has not been suitable if we still use Traditional Photography theory, we need to find a new set of theoretical approaches. Given this, this paper attempts to put the basic principles of Semiotics into the Conceptual Photography and find out basic Semiotics features of Conceptual Photography to solve the main problems in Conceptual Photography and in the meantime, gives people some proposed guidance for the interpretation. Through the study in this paper, we can see Semiotics plays important guiding role in Conceptual Photography and has a strong realistic meaning and important useful value.更多还原