双关的生成与接受研究

【作者】 颜爱梅；

【导师】 于广元；

【作者基本信息】 扬州大学 ， 汉语言文字学， 2009， 硕士

【摘要】 双关是一个具有悠久历史和深厚文化根基的传统辞格,古人对双关的研究散见于各种文论、诗论、杂记当中,缺乏系统的理论阐述。目前学术界对双关的研究侧重于具体个别的问题,缺乏系统深入的全过程探索。本文在总结前人研究经验和借鉴前人研究成果的基础上,从对双关认识的全过程入手,通过理论的阐述和实际语例的分析研究双关的生成与接受,这一研究对我们全面把握和深入研究双关辞格具有重要意义。本文除绪言外共分为三章。第一章论述双关的生成。双关的生成与心理因素、文化因素和语言因素有关。本章首先从心理学的角度探讨双关生成的心理因素,主要讨论记忆、联想和求新求异等心理现象,其中记忆是双关生成的前提条件,联想是双关生成的心理机制,求新求异是双关生成的社会心理因素。其次,从文化学的角度探讨民族文化对双关生成的影响。中华民族含蓄的传统、二元对称思想以及民俗文化对双关的生成具有重要作用。最后,从语言学的角度讨论生成双关的语言因素。相对于前人讨论较多的语音和语义,本章将侧重点放在用语法、文字、语境生成双关上。第二章探讨双关接受过程的语用解读。这是双关接受过程的第一步分析。首先,从语用学中的合作原则逆推出“非合作原则”,依据“非合作原则”来辨认双关。其次,利用关联理论解读双关,分析新旧信息的参与和最佳关联理论对双关解读的作用。最后,在“非合作原则”和“关联理论”的指导下,进一步解析双关接受的过程,分析双关接受过程的类型。第三章探讨双关接受过程的审美体验。这是双关接受过程的进一步分析。从审美的角度,论述双关的形式美和内容美。形式美体现在语音和谐,体现音乐美;形式各异,展现多样美。内容美体现在:蕴涵精深,体现意境美;含蓄委婉,展现曲折美。更多还原

【Abstract】 Pun is one of the culturally deep-rooted rhetorical devices with a long history, previous study of which, though, can be seen scattered in many kinds of literary critics and poetics, all these, however, lack systematic theoretical explanation. At present, the study of the pun focuses on specific issues, usually lacking of systematic and deep research into the whole process. Based on the previous studies on this subject, this paper, starting from an overall view of pun, researches into the process of its generation and understanding through theoretical exposition and practical analysis of actual language cases. The study will be of great importance to a thorough understanding of the Pun.The paper is divided into three chapters excluding the introduction of the paper. The first chapter discusses“The Generation of the Pun”. The generation of the Pun is closely related to psychology, culture and language. This passage firstly probes into the psychological features of the generation of the Pun, mainly discussing such psychological phenomena as memory, which is the basic requirement, association, which is the psychological mechanism and the quest for being different, which is the social-psychological factor of generation of the Pun. Secondly, from the perspective of culturology, this passage researches into the influence that the culture of a nation , such as the character of implicitness, the dual symmetrical way of thinking and folk customs, does to the generation of the Pun. Finally, we are trying to make clear the linguistic features of the generation of the pun. Generally speaking, people in the past cared more about phonetic and semantic puns. This chapter focuses on the puns which make use of grammar, context and the Chinese character as the medium.The second chapter talks about the process of the understanding of pun from the perspective of pragmatics. This is the step of the process. First, from“the principle of cooperation”, we come to“the principle of non-cooperation”, which provides us with a basis for the identification of pun. Secondly, in the light of Relevance Theory, this passage tries to analyze the role that the participation of the old and the new information and the optimal relevance theory play in the understanding of pun. Finally, in the light of“the principle of non-cooperation”and the Relevance Theory, this chapter makes further study on the process and type of the understanding of pun.The third chapter researches into the aesthetic experience during the understanding of the Pun. This chapter is a further analysis of the understanding of pun, discussing its formal and inner beauty. The formal beauty of Pun is mainly seen in its harmony pronunciation, which sounds much pleasant to the ear, and in its various forms, which display the beauty of diversity. The inner beauty of pun is manifested by its profoundity and its implicitness, which show a great artistic conception.更多还原