【作者】 巫宇军；

【导师】 田青；

【作者基本信息】 中国艺术研究院 ， 音乐学， 2009， 硕士

【摘要】 “客家筝”是我国主要传统筝派之一,形成于20世纪中叶。促使客家地区的筝乐形成流派的原因是多方面的,本论文选择音乐本源、历史、地理、文化、时代背景、代表人物、美学观念等7个方面,以大量材料为依据,详细梳理和考证了它们对“客家筝”形成所起的作用。本论文共9节,可归结为4个层次,第一层为乐学渊源考,包括论文第一节,主要采用比较的方法,从乐学上分析广东汉乐丝弦乐、大埔戏剧音乐和民间小调与“客家筝”的渊源关系。第二层为社会人文动因考,包括论文第二、三、四、五节,深入剖析了“客家筝”的产生与历史、地理、文化、时代等社会人文诸要素之间密不可分的联系。第三层为人物考,包括论文第六、七、八节,重点研究了何育斋、罗九香对“客家筝”形成的主要贡献,梳理了1950年以前大埔筝乐传承脉络。第四层为美学思想考,包括论文第九节,本节先分析“客家筝”与其它传统筝派风格之差异,进而探讨导致“客家筝”风格独特的最重要原因在于其审美追求的与众不同。更多还原

【Abstract】 Hakkas Zheng is one of the important traditional genres of Zheng zither in China, which was universally acknowledged as a distinctive genre in the middle of the 20th century.There are many factors for the formation of Hakkas Zheng.This article selects 7 aspects:the origin in music,history,geography,culture,time background,key mover, and aesthetics,to state clearly and explore systematically the influence of them on founding Hakkas Zheng,based on a large number of materials.This thesis is made up of nine sections,all of which can be summed up as four levels.The first level is about the origin of Hakkas Zheng in music(please refer to the first section).The relation was analyzed between Hakkas Zheng and the Sixian music(a kind of music performed on the silk string instrument)in Guangdong Hanyue(one of the musical varieties in Guangdong province),local opera music and popular tune in Dapu county.In the level two(please refer to section two to five),the inseparable relations between the formation of Hakkas Zheng and four social elements:history,geography, culture,and times,were analyzed in depth.There are three sections in the following level(please refer to section six to eight). The main contributions of He Yuzhai and Luo Jiuxiang,who were the key players in pushing Hakkas Zheng music to be a genre were researched,and also the net of the succession of teachings from many Zheng’s masters to their disciples in Dapu county before 1950 was stated.As for the last level,it just includes the section nine.In this section,the differences of styles between Hakkas Zheng and the other main traditional Zheng genres in China were discussed firstly,furthermore,an argument was elicited that the special seeking on aesthetics for the zitherists of Hakkas Zheng is the most important reason to lead it distinguished from others.更多还原