【作者】 尹昌志；

【导师】 何红舟； 孙景刚； 陈宜明； 王羽天；

【作者基本信息】 中国美术学院 ， 油画， 2009， 硕士

【摘要】 在图像泛化的今天,当代绘画的美学与传统绘画、现代绘画的美学相距甚远。本文主要论及绘画遭遇摄影的两次介入后,美学和审美标准发生了重要的转向:摄影式美学。结合与传统绘画、现代绘画的美学特点相比较后呈现出的新的美学特点,同时也论及了其形成与摄影术的出现和后现代文化思潮之间的关系,然后具体介绍了摄影式美学在不同时期的绘画中的体现。更多还原

【Abstract】 Generalization in the image of today, the aesthetics of painting is far away from which of the traditional painting and modern painting. This paper mainly deals with an important shift: photographic-style aesthetic .which occurred on the aesthetics and aesthetic standards after the two intervations in paintings by photography. Combines with the traditional painting, modern painting, compared to the aesthetic characteristics of the new post-show aesthetic characteristics, meanwhile discusses the relationship between its formation and the emergence of photography and post-modern culture, and then Introduces Specifically on the exemplification of photographic-style aesthetic plane at different times in the embodiment of painting更多还原