拉威尔管弦乐复合结构织体解构

【作者】 杨凯；

【导师】 黄汛舫；

【作者基本信息】 武汉音乐学院 ， 作曲技术理论， 2009， 硕士

【摘要】 约瑟夫-莫里斯·拉威尔(Joseph-Maurice Ravel),著名的法国作曲家,印象派作曲家的最杰出代表之一。拉威尔发展了印象派音乐的表现力,创作思维严谨朴素,在继承传统作曲技法的同时,还形成了自己极具个性的音乐语言和作品形式。拉威尔是世界上公认的管弦乐大师,有着独特的乐队音响思维,在管弦乐写作技术上有着许多的创新,他的管弦乐作品充分发挥了管弦乐色彩表现力。本文拟以拉威尔乐队音响造型为研究对象,假设此音响的谱面化表现是记载管弦乐作品中的复合结构织体,通过配器分析和织体分析来观察拉威尔在管弦乐织体写作中对传统技法的继承和发展,以便提炼出他的管弦乐音响思维,及其与传统类似织体写作之间的联系和区别;从多角度对复合结构织体的运用做具体的分析,包括基本概念、形成依据、运用方式、发展脉络和音响特征,以期为实际创作提供一些有意义的参考和借鉴。更多还原

【Abstract】 The well-known French composer Joseph-Maurice Ravel is among the most outstanding representatives of the Impressionism composers. Ravel strengthened the expressive force of the Impressionism music. His thinking involved in compostion is even more well-knit, and simple. While inheriting the traditional composition techniques, he also developed his unique musical languages and forms. Ravel is the recognized master of orchestral music. His orchestral works are very innovative in terms of their compositional techniques, besides, his orchestral music gives the colour of orchestral music a full paly.The writer takes Ravel’s techniques of creating images through orchestral sounds as researching target. Supposing that the approaches to recording those sounds should be score, which carries the composite textures. The writer looks at Ravel’s inheritance and development to the traditional techniques in constructing orchestral music texture.so as to find out his understanding of the orchestral sounds as well as the connections and differences between Ravel’s texture and traditionally similar textures; the writer also makes a concrete analysis to the use of the composite structurual texture from many-sided perspectives, include the basic concept, the gist of form, the modes of use, the development of skeletion , the character of sound, in hope of offering some significant references to other related researchers.更多还原