【作者】 赵建雷；

【导师】 李采白；

【作者基本信息】 苏州大学 ， 美术学， 2009， 硕士

【摘要】 中国水墨画在当代的发展一直是多元的、散乱的,也是美术理论界争论的焦点之一。本课题旨在当代艺术背景下,用个案研究的方法,通过选取具有代表性的八位当代水墨画家及作品,对当代中国水墨画的方法论和绘画观念进行分析研究,做出判断,认识中国水墨画发展的内在规律,从而进一步明确其在未来的发展指向。通过对八位代表画家作品的分析可以看出传统绘画和西方艺术对当代中国水墨画的双重影响,中国水墨画已经有明确的问题针对性,开始思考艺术和当代文化问题、现实问题、精神问题的联系。在世界当代艺术背景下,中国水墨画绘画观念的变革已经迫在眉睫,只有通过绘画观念和方法论的创新,才能使水墨画这种艺术形式更具包容性的发展下去,以代表我们时代的精神高度。更多还原

【Abstract】 The development of contemporary Chinese ink and wash painting is diversified and irregular. It is also one of the focuses that discussing in the art academy. This subject created in the light of the contemporary art. Using a method of case study, selected eight representative artists of contemporary Chinese ink and wash painting and their works, studied the contemporary Chinese ink and wash painting methodology and painting conception, to judge and understand the inherent law of the development of Chinese ink and wash painting, and thereby to make definite the point of its development in future.Through assaying the works of eight representative artists of Chinese ink and wash painting, we found that the traditional painting and the western art both have an effect on contemporary Chinese ink and wash painting. Chinese ink and wash painting has a definite pertinence. It starts to think about the relationship of the art, the contemporary culture, the fact and the spirit. In the light of contemporary art, painting conception of Chinese ink and wash painting need a revolution immediately. Innovate the painting conception and methodology is the only way to let the artistic form such as Chinese ink and wash painting developing with more containing, thereby to represent the spiritual height of our age.更多还原