【作者】 甘溦；

【导师】 邱正伦；

【作者基本信息】 西南大学 ， 美学， 2009， 硕士

【摘要】 闫平是中国当代最具影响力的女性画家之一,本文试图从闫平的油画创作与“气韵生动”的审美理想之间的精神联系方面做一系列研究。闫平的油画以清新亮丽的色彩、酣畅淋漓的笔触,匠心独运的线条,使画面呈现出非凡的视觉效果,并且总能让人感受到一种非同一般的强大的生命力。“母与子”、“小戏班子”等自身的家庭和周围的生活是闫平最为偏爱的题材。怎样的审美理想促使闫平坚持于家庭题材的创作?作为一名女性画家如何把女性独特体验融入艺术创作之中?在纯技法的形式中如何让自己的美学追求得到实现?与此热点不相称的是美术界对闫平的研究主要集中在对其艺术风格的一般性探讨中,尤其缺乏以美学的高度从闫平的审美理想及其在技法中的表现角度做深入研究。为此,本文紧扣“气韵生动”与闫平审美理想在生命意识层面上的内在联系,力图为闫平的绘画提供一种新的解读方式。为使本研究有一个客观准确的分析依据,本文先论证“气韵生动”与中国人生命意识表达之间的联系,然后从生命意识的角度,深入分析和研究了闫平的审美理想中体现出的生命意识,以及这种生命意识是如何与风格化的绘画形式相结合。通过对闫平油画中“气韵生动”美学特征的深入研究,笔者认为:(1)“气韵生动”是中国人生命意识的集中体现,以“气韵生动”作为文艺的总要求,就是要求文艺作品展现生命活力,艺术本质上是生命的符号化;(2)闫平所有的绘画都是在生命体验的基础上,自觉地把绘画表现从一般的想象不断地向生命体验的层面推动,用适合自己的艺术表达方式,展现出生命的活力;中国当代艺术界各种思想、潮流激烈碰撞、激荡,整个艺术界可谓处于一种浮华、浮躁的状态之中,导致了一种从思想上到行为上的混乱。本土价值评价体系的缺失也是造成这种混乱的原因之一,中国本土的艺术家终究要用本民族的价值体系进行评价,而不能总是在西方话语的权威下不断重复西方的艺术观念。因此,笔者用中国画论中“气韵生动”的价值观评价中国本土的油画家,以期在建构本土艺术价值方面做一些有益的尝试。更多还原

【Abstract】 Yan-ping is one of the most influential Chinese female contemporary artists,this article attempts to study the spiritual relationship fome Yan-ping’s oil paintings between the theory of "vivid charm".Yan-ping oil painting is characterized by fresh bright colors,massive brushwork,unique lines,so that the screen shows an extraordinary visual effects,and people always feel a kind of extraordinary vitality."Mother and Son," "small troupe",her own family life is the most preferred material of Yan-ping.What kind of aesthetic ideal that Yan-ping reserves to insist creating the theme of in the family? As a female artist,how to experience a unique integration of women in artistic creation? How to make the pursuit of their own aesthetics to be achieved in pure techniques? What is not commensurate with this hot spot is most research on Yah-ping just focuses on the general to explore artistic style,especially the lack of height from an aesthetic from Yan-ping’s aesthetics ideal and its application in the performance of techniques in the perspective of in-depth study done.To this end,the paper closely study on the internal relations between "vivid charm" and Yan-ping aesthetic ideal,to an effort to provide a new way of reading Yan-ping oil painting.To make this study a basis for objective and accurate analysis,this paper argues first,"vivid charm" and the lives of Chinese people to express the link between consciousness and awareness from the perspective of life,in-depth analysis and study of the Yan-ping of the aesthetic ideal embodied awareness of life,as well as awareness of this is how life-style of painting and combining forms. Yan-ping through the canvas of "vivid charm" in-depth study of the aesthetic characteristics,I believe that:(1) "vivid charm" sense of the Chinese people a concentrated expression of life to "the spirit of a lively" as the general requirements of art,literary and artistic works is to demonstrate the vitality of life,art is essentially a symbol of life;(2) Yan-ping all of the paintings are based on life experience,the performance of consciously drawing from the general to continue to imagine the level of life experience to promote a suitable their own artistic expression, showing the vitality of life;China’s contemporary arts community of ideas,the trend of violent collisions,the agitation,the entire arts community is in a flashy,impetuous, a state of confusion,resulting in a kind of behavior from the ideological to the confusion.Local value of the lack of evaluation system is also one of the reasons for this confusion,the Chinese native,after all the artists to use the value of the national evaluation system,and not always under the authority of the Western discourse,repeated endlessly,the concept of Western art.Therefore,the author of Chinese painting in "the spirit of a lively" values of China’s own oil at home,with a view to build the value of the local art of trying to do something useful.更多还原