【作者】 魏丹洁；

【导师】 冯丹；

【作者基本信息】 西南大学 ， 音乐学， 2009， 硕士

【摘要】 对于生活在19、20世纪之交——音乐美学和作曲技法发生大变革时期的作曲家谢尔盖·拉赫玛尼诺夫(Sergei·Rachmaninoff),人们的说法不一而足。不管怎么说,批评他为“落在时代后面的人”的言论似乎有些诽谤的意味。在当时现代音乐盛行的西方世界,拉赫玛尼诺夫的音乐显然不属于“他那个时代”,他的音乐扎根于俄罗斯,扎根于过去。他——作为一个黑暗势力的抨击者,把深沉、悲伤的体验寓于音乐之中,用古典风格的优美音乐将心中的美好事物理想化,以其悲剧性的力量激起人们对美好生活的企盼。他的萦绕不去的忧伤曲调,使人们缓解了心灵的伤痛,寻找到隐现的曙光,走出人生的困境。本文从历史背景、哲学依据和音乐本体方面对拉赫玛尼诺夫早期的钢琴音乐作品《瞬想曲6首》(Op.16)进行了解读,试图透过拉氏音乐的外壳,挖掘出新的诠释作品的可能性。全文分为五个部分。第一部分是绪论,扼要介绍全文的主旨和主要内容。第二部分从历史的社会现实、俄罗斯宗教哲学、作曲家郁悒情结及该作品创作背景方面溯源,对拉赫玛尼诺夫的6首瞬想曲进行了解读,从中探寻作曲家音乐风格的成因。第三部分就音乐要素问题对作品作了分析,揭示出作曲家音乐的深刻底蕴和作品的艺术内涵。第四部分为主要部分,以前几部分的论述为基础,从钢琴演绎角度表达了笔者粗浅的看法,希望能使作品的诠释更到位、更具说服力。第五部分为结语。更多还原

【Abstract】 Sergei.Rachmaninoff,a composer who was live in the 19^th-20^th century,a transforming period of the musical aesthetics and the composing skills.People holds different opinions about him. Somehow,regarding the composer as a man who falls behind the times is more or less a slander.Apparently, Rachmaninoff’s music doesn’t belong to the west where the modern music is flourishing here and there.The soul and heart of his music grows in Rassia as well as the past.Sergei.Rachmaninoff-a fighter in the dark,put his depth and sadness in h- is music,transfigures the beauty with classic rhythm and inspires all the people to expect the wonderful life with the the tragic power.His music is so sad that it heals our pain in heart and makes us forget about the pain in heart and walk towards the sunshine bravely.The article analyses Rachmaninoff’s Six moment musicaux（Op.16） with the aspects of the historical backgrounds,philosophic gist and the music itself,which try to break through the appearance of his music and dig up a brand new musical work..It is made up of 5 parts,the first part is introduction,which introduces the readers about the main content.The second part focuses on analyzing Rachmaninoff’s Six moment musicaux from the social reality to the composer’s depressive mood.It can find out the reason that makes his music such style.The third part,it pays attention to opening out the essential factor of the his works. The next part is the main,bases on the third one,expressing the writer’s opinion about playing Rachmaninoff’s works with piano.The writer hopes to give voice to the works more exactly and persuad- ably.The conclusion is the last part.更多还原