【作者】 陈佳佳；

【导师】 林家骊；

【作者基本信息】 浙江大学 ， 中国古代文学， 2009， 硕士

【摘要】 寒山的三百多首诗是中国诗歌宝库中独具异彩的明珠。他的诗歌,思想上熔铸佛、道、释,呈现出独特的“驳杂”特征;艺术上雅俗兼具,自成一体。从佛学角度看,他的诗歌是佛教文化与中国文化交融的重要成果;就白话诗史而言,他又是继王梵志之后唐代白话诗歌的重要代表,他的诗歌从理论和实践上分别充实了唐代白话诗派的构建。寒山诗近代以来受到关注,二十世纪八、九十年代更出现了研究的热潮。不少专著和论文都对寒山及其诗作了一定程度的研究,颇有启发性与参考意义,然而这些工作仍显不够。首先,对寒山诗歌的思想探源尚嫌不足;其次,对寒山体的研究及其对寒山诗歌的艺术分析还嫌薄弱。本文在全面掌握第一手资料的基础上尽力对寒山诗歌的“驳杂”思想特征进行探源,在此基础上深入探析其诗歌艺术成就,并结合中唐白话诗风,将寒山诗歌放入白话诗歌发展的宏观谱系中来探讨其在中唐诗坛的地位及其与影响。第一章通过对中唐思想社会背景、天台山“三教合一”的开放氛围、南宗禅“入世转向”作用的分析,来综合探讨寒山诗歌驳杂特征的思想成因与蕴含;第二章从艺术分析的角度,窥探“寒山体”的独特风貌,并与此结合探讨寒山的创作心态;第三章结合中唐白话诗风,将寒山诗歌放入白话诗歌发展的宏观谱系中来观察研究,进而探讨其在中唐诗坛的地位与影响。更多还原

【Abstract】 The over three hundred poems of Han Shan were a unique pearl of splendor in treasure-house of Chinese poetry. His poems, melted Confucianism , Taoism and Buddha together in ideology ,presented particular "heterogeneous" specification; Suited both refined and popular tastes and had a style of his own In arts. In the view of the Buddhism, his poems "were the most important fructification which the Ideology of Buddhism output in China"; He also were the significant representation of Vernacular poetry after Wang Fanzhi in Tang Dynasty .His "Han Shan Style" enriched vernacular School Construction From the theory and practice of the Tang Dynasty.People pay more attention to the Poetry of Han Shan in modern times, even a research boom occurred in the eighties and nineties of Twentieth century, Many monographs , articles did a instructive and useful research on Han Shan and his poems, however, these efforts still not enough. Firstly, the thought of Han Shan Poetry not seem to be sufficient comprehended; Secondly, It is too weak both in the research of Han Shan Style and the art analysis of Han Shan Poetry.In this paper, research was did on the thought of "heterogeneous" characteristics contained in poetry of Han Shan based on comprehensive first-hand information, then went deep into the artistic achievements of his poetry. And combined with the vernacular poetry in the Tang, added Han Shan poetry into the macro-pedigree of the development of vernacular poetry, explored its status and impact in the Mid-Tang Dynasty Poetry. In chapter one comprehensively study the ideological causes and implication of heterogeneous characteristics of poetry of Han Shan by analyzing the Mid-Tang free and compatible ideological social background, "the three religions into one" open atmosphere in Tiantai Mountain and "the social change" trend of Zen Buddhism. In chapter two looked into the unique "Han Shan style", and then explored the creative mind of Han Shan in the analysis from the perspective of arts. In chapter three observationally study Han Shan poetry by adding them into the macro-pedigree of the development of vernacular poetry combined with vernacular poetry in the Mid-Tang, further explored its status and influence in the Mid-Tang Dynasty Poetry.更多还原