“写意性”与中国传统绘画

【作者】 杨青香；

【导师】 潘缨；

【作者基本信息】 中央民族大学 ， 美术学， 2008， 硕士

【摘要】 随着现代艺术的发展,各种艺术形式越来越强调情绪化的个人体验和内在精神的意象表述,凭借一定的艺术形态去叙述作者的内在思想感情和心理状态。“写意”即是强调注重主体内在精神意象的表述,注重“神”“气”的完善。“写意精神”是中国艺术的灵魂。第一章从工笔画入手:造型力求“似与不似”,“随类赋彩”到“随意赋彩”,构图是全方位的观察方式,整体的“气韵生动”,根据以上几方面特点可以得出这样的结论,即工笔画也是具有“写意性”的。第二章分析艺术形态产生所依据的文化土壤,即原始思维与原始思维下的审美观。“天人合一”的理念显示出原始艺术、民间艺术、传统绘画三者是有内在联系的。这就是“写意精神”——是具有传承性的.原始艺术的“线”性特征发展成传统绘画的重要特征。原始艺术的典型例证彩陶艺术,就是“线”艺术的经典之作。原始艺术造型的大胆写意在传统绘画中的体现就是“得意忘形”。第三章以民间美术作品中的苗绣为例,苗族没有纯绘画性艺术,但其众多的艺术形态不得不让人惊叹。在这其中,苗族服饰又更加眩目多彩。刺绣图案中虚幻与具象,囿定与自由,写实与意象常常交织在一起。造型大胆夸张,重点突出某个局部,其它部位可以忽略,或是人、神、兽同处于一个画面,其浪漫的手法让今人也不得不佩服。这不的艺术处理确又真真切切从现实生活中来,都有生活中的原型。苗族人民凭借画面中的形象表达自己的情绪和对生活的热爱,是出于主观需要再造出来的基于自然物象基本特征的新形象,也是“写意性”特征鲜明的艺术作品。苗绣与传统绘画艺术形态不同,艺术处理手法却有异曲同工之妙。造型处理同样采用的是夸张、变形手法,颜色处理也是“随类赋彩”。两者在“写意精神”上是共通的。“写意性”在现代绘画中又是怎样体现和发展的?分析苗绣中人物的“写意”造型,通过周思聪的绘画作品来分析“写意性”在现代绘画中的体现。笔者通过自身创作对工笔画的“写意性”有了进一步了解。从某种意义上说,艺术就是情绪的表达和有意味的形式。不同的艺术形态,追求的是同样的“似与不似”,传达给观众的是心灵的慰籍和情感的共鸣。因此,探寻在苗族刺绣艺术、原始艺术和传统绘画等形态中的意象表达规律,对于准确把握写意性在艺术形态中的发展脉络,对于在现代绘画抑或现代艺术中体现传统文化和彰显民族精神,都是很有裨益的。更多还原

【Abstract】 The "comfortable" makes a point of to say to the watch of the inside spirit in corpus intention, borrowing the certain appearance describe own inside thought affection, mental state appearance, make a point of the " soul" and "spirit" perfect.The "comfortable spirit" is the soul of the Chinese art. Chapter 1 discuss the classic delicate strokes draws, concrete now in the delicate strokes painting, from everywhere to analyze.The shape tries hard for the " with not it", the " with a colourful" arrives the " as one’s pleases colourful ", composition is concrete that all-directions observational way, overall" flavor vivid" this is everywhere is a "comfortable" now. Both Gu kaizhi and Chen laolian’ works analyze, the development that Chinese delicate strokes painting is an idea that set out from the a to express the corpus consciousness self-conscious. It is a result that" comfortable" develop along with the ages makes many differences.Analyze again the art appearance creation a culture for according to soil, primitive thought and esthetic sense two aspects of the primitive thought bottom," the nature and man unites as one" of the principle comes to a decision the primitive art, folks art, traditional painting three is what have the inside contact. This is the " comfortable spirit"—is to have to spread to accept sexual. The primitive art is the art of the ancient, is all the sources of the art head and mother. A development of the primitive art from" upper level art" that a handful of men control, namely traditional race art.Another develops in largely labor people crowd folks art. The " line" characteristic development of the primitive art the important characteristic of the traditional painting.The typical model instance painted pottery art of the primitive art is the classic of the " line" art it make. Primitive art shape of the brave is comfortable in the traditional in the painting now be" vivid portrayal theory" that" be dizzy with success" that last development in foundation, Chinese traditional painting be at inherited the primitive art" comfortable" since then. "comfortable" is in modern painting again and how dose it develop?Chapter 3 takes the folks seedling art in the work embroidery as an example, the seedling race has no pure painting art, but the numerous of art appearance have to let person marveling! Here among them, the seedling race dress is much more charming. Embroidery pattern the inside is vain with have the elephant, the caught settles with freedom, realistic is usually with idea the intertexture is together.The shape brave piles it on, outstanding and a certain part in point, the other part can abridge, the person, god and Beast is placed in a picture together. Its romantic skill make people admire it ! This very the art of the view is invented from realistic living, the prototype that all have the life the inside. Seedling the person borrows image in the appearance expression own motion, to life of craze about. This comes from the subjective demand but give a new life out of according to the new image of the basic characteristic in elephant in thing in nature, is a fresh and clear art in characteristic in "comfortable" work. The seedling is different from traditional painting art appearance, the art handles however the skill has different in approach but equally good and wonderful. The shape same and adoptive is to piles it on, transform, the color handles is all also a " with a colourful ". Both of them are the same in "comfortable spirit".Analyze the seedling embroidery middleman thing of "comfortable" shape, pass the painting work thought from Zhou sicong’ art to analyze "comfortable" about the modern painting. The research using the method of the "line" have to out the Chinese art in conduct and actions in " comfortable spirit" the most important appreciate beauty the principle is to pierced through these three greatest systems.Passed oneself’s artistic" comfortable" that draw to have the further understanding to the delicate strokes.Say from a certain meaning, art be in the mood for flavor that motion that expression with form.Different art appearance, pursue of is same kind that" with not" that console , is a mind to audience with affective totally resonant .Therefore, explore in seedling race embroidery art, primitive art with traditional painting etc. intention in the appearance expression regulation, to the accurate full with confidence comfortable in the art development in the appearance grain, for painting in now perhaps now art now traditional culture with make open the ethos, is all to have the benefit very much.更多还原