【作者】 王琪；

【导师】 杨广生；

【作者基本信息】 江西师范大学 ， 美术学， 2008， 硕士

【摘要】 本文把1942年-1976年定义为“毛泽东时代美术”,这段时期在整个中国美术史的发展中具有独特的性质。这种独立性既是对中国社会历史的独特性以及它所面临的问题的特殊性的形象表达,同时也以独特的形象实践,在毛泽东的社会理想和文艺思想指导下,成为构建社会主义新中国的重要力量。意识形态的性质不仅是认识的,而且也是实践的。本文从史学的角度来探讨“毛泽东时代美术”的历史发展和形态特征。对“毛泽东时代美术”命名合理性和时期划分界定进行了学理分析;对毛泽东艺术思想观念及大众艺术模式进行了阐述;概要地说明毛泽东时代美术的意识形态和各个时期的特征。更多还原

【Abstract】 This article defined 1942 - 1976 as“the Mao time fine arts”,this area had the unique nature in the entire Chinese history of art’s development. This kind of independence is not only the image expression of the question particular which as well as it faces to the Chinese society history’s distinctive quality, simultaneously also becomes the important force that constructed new socialty of China in Mao Zedong’s social ideal and under the literary thought instruction by the unique image practice.Ideology’s nature is not only the understanding, but also is the practice. The article discusses the development and the Ideology of“the fine arts of Mao time”from the history perspective. The article analysis the naming rationality and the time division limits of“the Mao time fine arts”; Have carried on the elaboration to the Mao art ideological concept and the populace art pattern; The article explan the Mao time fine arts the ideology and the characteristic of each time.更多还原