【作者】 汲晶晶；

【导师】 游二川；

【作者基本信息】 重庆大学 ， 美术学， 2008， 硕士

【摘要】 油画作为欧洲的传统绘画,在中国已有百年的历史。从上世纪上半叶一批先贤到国外学习油画,并将其引入中国,到了五六十年代油画获得了空前的发展,中国的写实油画达到了前所未有的高度。文革十年,油画处于停顿或倒退。六七十年代改革开放,我们有机会更多的领略油画的魅力。八十年代后,在中国的画坛上几乎将欧洲几百年渐进发展的多个流派样式在短短的几年里都有所演变,油画在当代的文化发展中是引人注目的。生于七十年代的艺术家们经历着全新的社会变革和社会的飞速发展,新的时代给予他们丰富的信息和机会,于是追求独特的风格便成了艺术家们不可或缺的有别于他人的专有精神特征而别强调和夸大。对于出生在这一时期的艺术家们,创作,如何把握时代精神,如何从欧洲文化传统和中国文化传统中汲取营养,如何表达个性,是大家都要面对的课题。本课题以美术学为“70后新绘画现象”的研究主线,以艺术心理学为切入点,辅以认知心理学、市场学、社会学等相关学科,对“70后”油画艺术进行多方面多层级的思考研究,归纳总结出“70后”油画艺术的题材范围和视觉模式、个性特点及其艺术价值,为“70后”绘画艺术发展提供借鉴和参考。首先,本文对“70后”的概念进行分析研究。通过对“70后”艺术的概念以及“70后”艺术家所处的历史背景进行总结分析,了解“70后新绘画”现象的产生背景和原因。然后从中总结分析出“70后新绘画”现象产生的时代和文化背景,以利于后面“70后”油画艺术研究的展开。其次,本文在上述研究的基础上,对“70后”绘画的题材范围和视觉模式进行认识与分析。通过对“70后”绘画的题材和模式的分析,具体研究了“70后”油画的视觉特性,同时对“70后”一些代表画家的作品进行分析。再次,本文研究了“70后新绘画”现象与大众文化的关系。通过艺术市场对当代油画的影响以及当代油画对大众文化形象的吸收等方面的研究,总结出“70后新绘画”现象的文化观念。最后,总结全文提出“70后新绘画”现象的现实意义与当代价值,论述了“70后”绘画的市场前景,并对其后续发展空间提出了新的展望和思考。更多还原

【Abstract】 As an European traditional painting, Oil painting has a history of over one hundred years in China. In the first half of the last century, many forerunners went to foreign countries to learn Oil painting and brought it to China. Oil painting developed very quickly in 1950’s and 1960’s, and the realist oil paintings have developed to an unprecedented standard. During the Cultural Revolution, Oil painting went back or became stop. We have more chances to learn the charm of Oil painting until the reform and opening-up. After 1980’s, in a short few years, Oil painting has almost developed all the European styles and genres, it’s growth has been very noticeable.The artists born in 1950’s have experienced brand-new social transform and rapid development, new era give them plentiful information and chances, therefore,distinctive style was emphasized and exaggerated as artist’indispensable and particular spiritual characteristics. Creation, how to seize the Zeitgeist , how to learn from traditional European and Chinese culture , how express individuality, are the issues these artists will face to.This essay will research on the“Post-70s new painting phenomenon”, based on the art psychology, supported by cognitive psychology, marketing, sociology, pondered multilaterally on Post-70s oil painting art, generalized the theme area ,visual pattern ,individuality and artistic value of Post-70s oil painting art, give some reference to the development of Post-70s oil painting.Firstly, this essay do some research and analysis on the concept of“Post-70s”.By analyzing the concept and historical background of Post-70s artists, to know the formation background and reason of“Post-70s new painting phenomenon”. Then it summarizes the era and culture background of this phenomenon, benefit the following research.Secondly, based on the above research, analyze the theme area and visual pattern of Post-70s Oil painting, furthermore, analyze the visual characteristic, and case study on the works of some representative Post-70s painters.Thirdly, this essay researches on the relationships between“Post-70s new painting phenomenon”and popular culture. After analyzing the influence of art market to the present oil painting and the absorption present oil painting did from popular culture image, summarizing the culture notion of“Post-70s new painting phenomenon”. Finally, this essay will summarize the practical significance and modern value of“Post-70s new painting phenomenon”, dissertate the market prospect of“Post-70s”painting, and do some reflect and look ahead its next room for growth.更多还原